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H8 COACHING team

 

Activities

HS8 coaches: Beppe Kessler, Iris Bodemer, and Katharina Dettar.

The HS8 group is structured into three smaller groups, each with a dedicated coach who works closely with their 3 to 4 artists.

The feedback sessions are conducted between August and October 2023.  Each of the HS8 artists can watch the other feedback sessions (but not actively participate in them). This creates a collaborative environment where the HS8 artists share ideas, discuss them further, and learn from each other’s presentations. With those monthly sessions, the HS8 artists can act on feedback in the development of a body of work for their mid-project exhibition at Depot Artspace, Auckland in November.

Beppe Kessler

Beppe Kessler (1952, Amsterdam) is a contemporary jewellery maker and painter who lives and works in the Netherlands. Kessler graduated from the Gerrit Rietveld Academy in 1979, with a degree in textile art and industrial textile design.

‘My inspiration lies in huge concepts you cannot describe into words. Like time, nothing, the violence of the elements. Or in small things I encounter, thoughts that amaze me, making me realize that vulnerability gives life to things’.

‘Little treasures’, that is how she describes her jewellery; miniature sculptures composed of age-old and contemporary, often worthless materials, brazenly combined and not bound to the traditions of jewellery making. They express her feelings and thoughts about life. They invite touching and they tell a story, summarized in titles justifying their existence.

Her paintings are subtle but they possess a silent power. For Kessler, the carrier of the paint, the canvas, is equally as important as the paint itself.

Whether it is wood, stone, paint, or linen, Kessler stretches her material to their limits, constantly breaking and re-making to create something new, while also inventing her own techniques.

Material is the vehicle of her thoughts. All her work – paintings, objects and jewellery – is inextricably linked and informs each other.

Iris Bodemer

1970                Paderborn (DE)

1989 – 1992     Berufskolleg für Design, Schmuck und Gerät, Pforzheim (DE)

1992 – 1996     Hochschule für Gestaltung, Pforzheim (DE)

1997 – 1998     Sandberg Insitute, Amsterdam, (NL)

since 1996       Studio in Pforzheim (DE)

since 2014       Teaching at the Berufskolleg für Design, Schmuck und Gerät,

Goldschmiedeschule mit Uhrmacherschule, Pforzheim (DE)

International exhibitions,workshops and lectures

Works in private and public collections

Representing galleries:

Galerie Marzee, Nijmegen (NL)

Jewelers’werk, Washington D.C. (US)

Galerie Annick Zufferey (CH)

www.irisbodemer.de

Instagram: @iris.bodemer

Katharina Dettar

Born in Fürth, raised in Catalonia, living in London.

Katharina holds an MA from the Royal College of Art, and previously studied in Idar-Oberstein, Lappeenranta and Barcelona. Her practice explores the notions of jewellery and object through materials. Having an interest and awareness in the origin of these, part of her outcomes investigates themes such as waste, sustainability, and nature.
Her work has been exhibited in museums and galleries in Europe, North America and Asia. Her pieces are part of public collections in Museum Arnhem, CODA Museum Apeldoorn, Muzeum Cesueho Raje Turnov, the International Collection of Contemporary Jewellery Legnica and the Royal College of Art Collection London.
The Studienstiftung des deutschen Volkes supported her throughout her studies in Germany and UK. Winner of the Talente Prize in Munich and the Förderpreis des Landes Rheinland-Pfalz in 2010.
Currently a permanent senior lecturer at Central Saint Martins, visiting lecturer at University of Herfordshire, Guest lecturer at the Royal College of Art. Katharina worked as a gallery manager at Gallery S O London from 2017 to its closure in 2020.

HS8 blog posts:

Losing control

Losing control

    We have just wrapped up 10 sessions with the fantastic Estela Saez. Sometimes it was crazy fun and other times it was deeply challenging.     My practice is very material based, I am obsessed with stone and reluctant to work with other...

Silver Linings

Silver Linings

Weirdly, going back to the material that started this whole crazy mid-life career change, was kinda challenging.  My little world had been so consumed with plastic’s and soft materials that I was a bit anxious getting back on the tools. To combat this, I spent a bit...

Winter/reflect

Winter/reflect

We are now marching down the path into winter here in Aotearoa, New Zealand and we have now come to the end of our online Masterclass Zoom sessions with Estela Saez-Vilanova. As new handshake mentees, we began our time with Estela in late Summer in February. It was...

Material Wealth

Material Wealth

I’ve loved all the little exercises we’ve been given to prompt ideas.   For example: Drawing with our eyes closed.   Drawing or Making with a word in mind They’re great to stop being overwhelmed when presented with a new project.  I often think big, wild and whacky,...