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  Louise Hill

 

Artist Statement

I make sense of my experiences through the interrogation of mundane objects. By channelling an angry yet playful critique of heteronormative discourses, I find something bitter-sweet in the middle.  My work yearns to be developed into something deeper and more uncomfortable; to be allowed to sizzle.

Bio

Louise Hill is a Wellington-based contemporary jeweller who makes colourful work using a range of media. She has been showing her work since 2010 and graduated from Whitiriea in 2020. There is feisty energy to her work, which combined with her sense of humour, allows for unique social commentary.

CV

 

Louise Hill‘s images

‘In Each Other’s Pockets.’ Neckpiece, 2022, Silk, foam, enamel & found materials, 50x27cm

Nipple and Pocket, 2022, Stirling silver, cotton. 20×17 cm

‘The Other Side of Darkness,’ Neckpiece 2019 Dump plastic, magnets, fabric, nylon, & enamel 23x30cm

‘Dark holes,’ Neckpiece, 2020. Silicone, steel, wood, plaster resin. 35x25cm

‘My first balls,’ Neck piece.
Silicone, copper, silk, wood, plaster-resin. 45cm X 34cm

‘Don’t drop the soap,’ pendant. 2020, Silk, wood, brass, plaster-resin. 50cmX5cm

‘Two Fingers,’ Ring, 2020, Silicone, wood, plaster-resin. 7 X 5.5 cm

‘Two Fingers and a Thumb,’ Ring, 2020, Silicone, wood, plaster-

‘Fornication,’ brooch, 2019 Dump plastic, copper, fabric enamel & steel, 19 x 12 cm
‘From the Pit,’ Brooch 2019 Dump plastic, copper, fabric enamel & steel, 14 x 13cm

‘The Man Who Made Husbands Jealous,’ 2010 Brooch Perspex, pearls, clay, enamel, paper, steel 13.5 x 11 cm

‘Breast is Best,’ Brooch, 2010, Recycled copper, perspex, resin, fabric, enamel & steel 15x5cm

‘Keeping it Simple,’ brooch, 2022 Silver, glass, steel, paper, found objects. 13x13cm

Blog posts:

MIKAMI Seiko and the abject

Seiko Mikami (1961 –  2015) was a Japanese artist known for her large-scale installations. I had the opportunity to experience her work at  the Museum of Contemporary Art Tokyo, when I visited Japan last year. Upon entry I encountered, Scale (1993), an installation...

Help Beautify Junkyards. Throw Something Lovely Away Today!

“There’s a wonderful sign hanging on a Toronto junkyard which reads: “Help beautify junkyards—throw something lovely away today.” And this is a very effective way of getting people to notice a lot of things.” — Marshall McLuhan In his 1964 work, The Medium is the...

Justene Williams

Justene Williams, is an contemporary Australian artist who makes her large-scale immersive works, using multi-channel video installations, photography and performance. Through challenging social norms, using of found objects and waste materials, collage and...

Ana Mendieta

Ana Mendieta was born in Cuba in 1948. Her father, Ignacio Mendieta, was a lawyer who had worked with the FBI during World War II.  In 1960 he became involved in an uprising against Fidel Castro and was concerned for the safety of his family.  At 12, Ana Mendieta and...

Judy Chicago

When Judy Chicago was a student at UCLA in the late 1950s, she took a class called "Intellectual History or Europe," where her male professor declared that women had made zero contributions to European history.  Aware of how little Chicago to start what would become a...

Hannah Wilke

Hannah Wilke was among the first Artists to incorporate vaginal imagery into her work.  During the 1970s, she used her own body to create "performalist self-portraits."   Her work "S.O.S. – Starification Object Series" from 1974 to 1982, critiqued the commodification...

Carolee Schneemann

Anthony McCall, thirteen photographs of Carolee Schneemann, Interior Scroll, 1975. Stockholm: Moderna Museet. © Carolee Schneemann. Photo: Estate of Carolee Schneemann/Galerie Lelong & Co./Hales Gallery/PPOW Gallery. Challenging the way that women's Art was...

Yoko Ono

    Judy (Judith Darragh, my handshake mentor), has suggested I take a look at a series of performance Artists who deal with the body and a piece that I find meaningful. I am starting with the incredible Yoko Ono. Ono's work often questioned the division...

Tick tock… you don’t stop,

I’ve read that as an artist, you should just never stop making. Then you don’t have to start again. An art practice needs to be practiced.  …but I stopped for summer. Life happens, school holidays happen and here we are, end of February, getting started again. When I...

Introducing the ‘Fat Chat,’

I often listen to audio books during the long days of making in my studio. I’ve also been working to lift my parenting game (which often looks like an attempt at creating the kiwi version of ‘Bad mom’s.’) It was in this vein that I listened to, ‘How to Raise Girls Who...