Welcome to HandShake 8, 2023-24
HS8 is a two-year programme designed to encourage experimentation, feedback, development, and exhibiting for emerging artists. The HS8 development program aims to challenge and support each artist in their creative development, helping them to grow their capability, excitement, and endeavour through a range of masterclasses, professional support, and feedback.
The programme is comprised of eleven artists selected by Estela Saez Vilanova from Barcelona, who began with a series of masterclasses that delved deep into the content and depth of the artist’s work practice.
Estela Saez Vilanova’s masterclass is a source of inspiration and support for each HS8 artist, providing them with various design options and ideas opportunities. Her passion, succession of briefs, and direct feedback stimulate the development process in terms of ideas, material exploration, and art-making.
A special face-to-face masterclass gathering was held during the Nelson Jewellery Week in mid-April 2023, featuring the successful Push-Pull workshop of Renee Bevan (12-16 April 2023).
In the second half of 2023, the HS8 artists refined and developed their ideas from explorations and discoveries from the two masterclasses and a series of feedback sessions by three international mentor coaches who helped them refine their ‘process‘ explorations.
Another masterclass with writing expert May-Jane Duffy focuses on blog writing, content writing, and artist statements.
From 4 – 20 December 2023, HS8 artists exhibited their 2023 ‘process’ work (including some finished artwork) at DEPOT Art Space, Auckland. See their exhibition.
In the second year (2024), the HS8 mentees are matched with their mentors. The mentees develop their ideas and materials in a body of work with the assistance of their mentor.
Andrea Daly and Neke Moa’s online masterclass on ‘theory and history’ integrates art and design theory with the depth of the HS8 artist’s work through experimentation and exploration. Neke Moa introduces how connections to the art practices of tangata whenua are explored within her own artworks and those of others.
In 2024, the final masterclass will focus on innovative presentation methods. This includes using images and videos to explore different ways of presenting artworks for the HS exhibition online programme and social media platforms. The masterclass will also concentrate on producing a collaborative video expressing the unique group dynamics of HS8 alongside their artworks at their Pah Homestead exhibition.
HS8’s second and end-of-project exhibition MATERIALISE: 8 Nov 2024 – 16 Feb 2025 will take place at Pah Homestead, Auckland, opening on Thursday, 7 November 2024, from 6-8 pm.
HS8 blog posts:
Proof
Putting it out there - talking about it. What to exhibit in an exhibition that marks the halfway point in this two year handshake project? In a public process show how resolved should that process be? Does it need to be jewellery, to be wearable? So many questions...
The summit
One of the first things that struck me when I moved to Tamaki Makaurau Auckland were the over 50 volcanic cores that are sprinkled throughout the city. I have used these volcanic cores as guideposts to help me figure out where I am. If I got lost I could drive towards...
A texture library
On my explorations I recorded things that I came across. In particular things that caught my eye, for one reason or another. A lot of this process was done by taking hundreds and hundreds of photos. I also collected bits and bobs. Yet, sometimes you can’t or shouldn’t...
Proof of Concept
We are halfway through our Handshake8 journey and the exhibition 'Proof of Concept' was a chance for us to share what we have all been working on for the last 10 months. The exhibition at Depot Artspace opened on Saturday 4 November and continues until 20 December...
Mapping Shells
When I first moved to Aotearoa New Zealand, I had a flurry of international visitors. There was a need for a non-digital or wifi dependent mud map of the area. I began to play with an idea of a map drawn onto an object from the area. Living on the bay, my first...
PROOF of CONCEPT, 21Nov-20Dec
Proof of Concept HS8 group exhibition at DEPOT ArtSpace, Auckland 4 November – 20 December, opening Saturday 4 Nov, 2 pm ‘Proof of Concept’ is an exhibition that marks the halfway point in the journey of HANDSHAKE 8's two-year professional development...
Welcome to HandShake 8, 2023-24
HS8 is a two-year programme designed to encourage experimentation, feedback, development, and exhibiting for emerging artists. The HS8 development program aims to challenge and support each artist in their creative development, helping them to grow their capability, excitement, and endeavour through a range of masterclasses, professional support, and feedback.
The programme is comprised of eleven artists selected by Estela Saez Vilanova from Barcelona, who began with a series of masterclasses that delved deep into the content and depth of the artist’s work practice.
Estela Saez Vilanova’s masterclass is a source of inspiration and support for each HS8 artist, providing them with various design options and ideas opportunities. Her passion, succession of briefs, and direct feedback stimulate the development process in terms of ideas, material exploration, and art-making.
A special face-to-face masterclass gathering was held during the Nelson Jewellery Week in mid-April 2023, featuring the successful Push-Pull workshop of Renee Bevan (12-16 April 2023).
In the second half of 2023, the HS8 artists refined and developed their ideas from explorations and discoveries from the two masterclasses and a series of feedback sessions by three international mentor coaches who helped them refine their ‘process‘ explorations.
Another masterclass with writing expert May-Jane Duffy focuses on blog writing, content writing, and artist statements.
From 4 – 20 December 2023, HS8 artists exhibit their 2023 ‘process’ work (including some finished artwork) at DEPOT Art Space, Auckland.
In the second year (2024), the HS8 mentees are matched with their mentors. The mentees develop their ideas and materials in a body of work with the assistance of their mentor.
Andrea Daly and Neke Moa’s online masterclass on ‘theory and history’ integrates art and design theory with the depth of the HS8 artist’s work through experimentation and exploration. Neke Moa introduces how connections to the art practices of tangata whenua are explored within her own artworks and those of others.
In 2024, the final masterclass will focus on innovative presentation methods. This includes the use of images and videos to explore different ways of presenting artworks for the HS exhibition online programme and social media platforms. The masterclass will also concentrate on producing a collaborative video expressing the unique group dynamics of HS8 alongside their artworks at their Pah Homestead exhibition.
HS8’s second and end-of-project exhibition MATERIALISE: 8 Nov 2024 – 16 Feb 2025 will take place at Pah Homestead, Auckland, opening on Thursday, 7 November 2024, from 6-8 pm.
An Art Practice is a Calling, not a Job
Like most Handshake8 participants, after our exhibition in November 2023, I was wiped out and needed a break from the constant problem solving and long hours of the preceding year…it was great for a week, but by the following Sunday I was bored, cranky, and in need of...
Reflections of 2023
The Proof of Concept exhibition marks the halfway point of my 2 year Handshake 8 journey. It has been such an incredible, yet busy year. I have loved every moment of the last 12 months being a part of the program. Through the Handshake Project I have found an...
Introducing the ‘Fat Chat,’
I often listen to audio books during the long days of making in my studio. I’ve also been working to lift my parenting game (which often looks like an attempt at creating the kiwi version of ‘Bad mom’s.’) It was in this vein that I listened to, ‘How to Raise Girls Who...
The Proof (of Concept) is in the pudding
After the Proof of Concept exhibition was installed, as per usual, I wished for more time before the bump in. In a perfect world this extra time would allow for more making (not procrastinating), but also more time and space to think about the artwork installation. I...
my flexible quasi-process
A few years ago I felt the necessity and had the privilege of time to study and to develop a framework for my practice. With many thanks, especially to Johanna Zellmer, my MFA supervisor, the Dunedin Art School community and my family, clarity around my practice...