HANDSHAKE project

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  • Aotearoa Exchange

    Aotearoa Exchange

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    Aotearoa Exchange is a performative presentation that opens SCHMUCKmuenchen 2026 at the Pinakothek der Moderne, Munich, on Friday 6 March. This project presents more than 40 wearable works by 20 Handshake Project alumni, animating the space with a dynamic alternative to static display and affirming the vitality of contemporary practice from Aotearoa New Zealand.

    The project contributes a live, artist‑led intervention that emphasises collaboration, mobility, and shared encounter. Sculptural headpieces by Mia Straka and garments by Jessica Winchcombe form the core of the presentation, carrying alumni works that are activated through choreographed movement. Six performers animate the space, creating shifting, embodied encounters between audience and work.

    Aotearoa Exchange affirms the strength of Handshake’s peer‑driven model—supporting alumni visibility, connecting New Zealand artists with international networks, and contributing a living archive of contemporary jewellery practice. It embodies artist‑driven innovation and a resilient approach to global creative practice.

    Supported by Creative New Zealand, Makers 101, and the artists.

    ” content_phone=”

    Aotearoa Exchange is a performative presentation that opens SCHMUCKmuenchen 2026 at the Pinakothek der Moderne, Munich, on Friday 6 March. This project presents more than 40 wearable works by 20 Handshake Project alumni, animating the space with a dynamic alternative to static display and affirming the vitality of contemporary practice from Aotearoa New Zealand.

    The project contributes a live, artist‑led intervention that emphasises collaboration, mobility, and shared encounter. Sculptural headpieces by Mia Straka and garments by Jessica Winchcombe form the core of the presentation, carrying alumni works that are activated through choreographed movement. Six performers animate the space, creating shifting, embodied encounters between audience and work.

    Aotearoa Exchange affirms the strength of Handshake’s peer‑driven model—supporting alumni visibility, connecting New Zealand artists with international networks, and contributing a living archive of contemporary jewellery practice. It embodies artist‑driven innovation and a resilient approach to global creative practice.

    Supported by Creative New Zealand, Makers 101, and the artists.

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    Aotearoa Exchange group performed a unique presentation that opened SCHMUCKmuenchen 2026 at the Pinakothek der Moderne, Munich, on Friday, 6 March. The project brought together more than forty wearable works by twenty Handshake Project alumni artists. Six performers moved through the space, shaping live, shifting encounters between the audience and the work.

    The presentation offered a live, artist‑led intervention centred on collaboration, mobility, and shared encounter. Sculptural headpieces by Mia Straka and garments by Jessica Winchcombe formed the core of the work, carrying alumni pieces activated through choreographed movement.

    Set within the Pinakothek der Moderne’s once‑in‑a‑century celebration, Aotearoa Exchange placed our HS alumni inside a rare international gathering of peers and experts — a chance to communicate, share, compare, and participate in a global exchange of ideas and practices.

    Supported by Creative New Zealand, Makers 101, and the artists.

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  • Aotearoa Exchange

    Aotearoa Exchange

    Aotearoa Exchange is presented and performed by Mia Straka, Jessica Winchcombe, Grace Yu Piper, Hilda Gascard, Lisa van Hulst, and Peter Deckers on Fr 06 March 2026, at the Pinakothek der Moderne, Munich.
    The project brings more than forty wearable works by HANDSHAKE alumni artists into active conversation, including pieces from Vanessa Arthur, Becky Bliss, Denise Callan, Nadene Carr, Aphra Cheesman, Nina van Duijnhoven, Sam Kelly, Neke Moa, Brendon Monson, Nellie Peoples, Amelia Rothwell, Caroline Thomas, Raewyn Walsh, Sarah Walker Holt, and Keri Mei Zagrobelna.

    Aotearoa Exchange opens during SCHMUCKmuenchen 2026 at the Pinakothek der Moderne from 7–9 pm on the same evening. Featuring more than forty wearable works by active HANDSHAKE alumni, the project brings together artists connected through a shared history with the HANDSHAKE project and a commitment to artist‑led practice, peer exchange, and international dialogue.

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  • Reflections on the Handshake Project:

    Reflections on the Handshake Project:

    A Journey of Innovation and Community (2011–April 2025) – By Peter  Deckers   

    Looking back on my time leading the Handshake Project (HS)—from its modest beginnings in 2010 to its conclusion in April 2025—I see a journey defined by transformation. What started as a small initiative to support emerging jewellers grew into an internationally recognised platform: a launchpad for talent, a hub of mentorship, and, at times, an exhilarating exercise in creative chaos.
    At its core, Handshake has always been about opportunity and generosity—providing emerging artists with professional purpose while fostering collaboration, experimentation, and growth. Over the years, 60 New Zealand jewellers pushed boundaries, redefining contemporary practice and reshaping the landscape of jewellery in Aotearoa.
    Handshake embraced digital tools early, integrating online communication and mentorship before they became standard practice. With New Zealand’s geographic isolation, remote connectivity was essential—expanding Handshake’s reach, enabling artists to collaborate across distances and adapt to evolving technologies.

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  • MINUMENTAL

    MINUMENTAL

    ex HS6 artists presented their group exhibition MINUMENTAL at Brunswick Street Gallery in Melbourne as part of the Radiant Pavilion Contemporary Jewellery and Object Biennale 2024.

    Following its debut at Nelson Jewellery Week (Aotearoa) in 2023, this second iteration of MINUMENTAL delves into the profound significance found in the small, often overlooked details of daily life.

    Featuring works by Michelle Wilkinson, Maca Bernal, Aphra Cheesman, Nikki Perry, Amelia Rothwell, Susan Videler, Jack Hadley, Nina van Duijnhoven, Simon Swale, Mia Straka, Antonia Boyle, and Fran Leitch, the exhibition explores the tension between monumentality and the meaning within everyday moments.

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  • MATERIALISE, HS8 exhibition

    MATERIALISE, HS8 exhibition

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    MATERIALISE: HANDSHAKE 8

    Pah Homestead, Auckland, Aotearoa NZ

    8 November 2024 – 16 February 2025

    Denise Callan, Fiona Frew, Fran Carter, Genie Lee, Grace Yu Piper, Lisa van Hulst, Louise Hill, Nellie Peoples, Rachel Chapman, Rose Pickernell, Tūī Diprose

    MATERIALISE marks the conclusion of a two-year journey for this remarkable group of HANDSHAKE 8 artists, at The Arts House Trust, Pah Homestead, Auckland.

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  • New Zealand Jewellery Triennial

    New Zealand Jewellery Triennial

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    The second Aotearoa Jewellery Triennial (2025-26)

    The second Aotearoa Jewellery Triennial, curated by Sian van Dyk will take place at:

    The Suter Art Gallery, Nelson (8 March – 8 June 2025)

    and Te Manawa Museum, Palmerston North (23 August 2025 – 1 March 2026)

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    Moniek Schrijer, installation

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    The first Aotearoa Jewellery Triennial (2022)

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    Auckland, 10 September – 20 November 2022 

    The first NZ Jewellery Triennial, Jewellery Beyond Time, curated by Emma Ng featured new work by Becky Bliss, Raewyn Walsh, Neke Moa, Rowan Panther, Shelley Norton, and Moniek Schrijer.

    The Jewellery Triennial has been developed by Makers101 with Objectspace collaborating as the exhibition partner.

    The 2022 Triennial focused on innovative practitioners from Aotearoa New Zealand.

    SYMPOSIUM: Friday 9 September 2022

     

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  • 67206 Days, 2276 Full Moons  (last days)

    67206 Days, 2276 Full Moons (last days)

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    April 10 – May 4, 2024

    The jewellery artists featured in this NZ exhibition contemplate themes of discovery, origins, integration, and conflict.

    Becky Bliss

    Nadene Carr

    Alpha Cheesman

    Nina van Duijnhoven

    Neke Moa

    Mia Straka

    Caroline Thomas

    Sarah Walker-Holt

    Raewyn Walsh

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  • Opening 67206 Days, 2276 Moons

    Opening 67206 Days, 2276 Moons

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    Please join us for the opening Saturday 13 April 3-at 5 pm of 67206 days, 2276 full moons, these numbers mark the time since the signing of the Treaty of Waitangi…so who’s counting? Nine New Zealand artists from the Handshake Project with the support of Creative New Zealand and in partnership with Stanley Street Gallery present this powerful and thought-provoking exhibition.

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  • 67206 Days, 2276 Full Moons

    67206 Days, 2276 Full Moons

    NEW EXHIBITION at Stanley Street Gallery, Sydney

    67206 Days, 2276 Full Moons
    April 10 – May 4, 2024

    Becky Bliss, Nadene Carr, Aphra Cheesman, Nina van Duijnhoven, Neke Moa, Mia Straka, Caroline Thomas, Sarah Walker-Holt and Raewyn Walsh

    The NZ jewellery artists featured in this exhibition contemplate themes of discovery, origins, integration, transformation, virtue, cultural respect, differences, and conflict.

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  • PROOF of CONCEPT, 21Nov-20Dec

    PROOF of CONCEPT, 21Nov-20Dec

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    Proof of Concept

    HS8 group exhibition at DEPOT ArtSpace, Auckland 4 November – 20 December, opening Saturday 4 Nov, 2 pm

    ‘Proof of Concept’ is an exhibition that marks the halfway point in the journey of HANDSHAKE 8’s two-year professional development programme.
    The Handshake programme sets the stage for exploration without parameters.

    The work showcases a diverse group, united by material play and conceptual insight.
    The pieces presented as ‘proof of concept’ explore ideas, processes, and materials.
    HS8 artists are engaged in processes of testing, evaluating, and experimenting with various explorations to uncover potential future options and conceptual insights.

    see exhibition

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