Exhibition 2
HS8’s second group exhibition at Pah Homestead, (Auckland 8 November 2024 – 16 February 2025, opening Th 8 Nov).
MATERIALISE marks the conclusion of a two-year journey for this remarkable group of HANDSHAKE 8 artists, at The Arts House Trust, Pah Homestead, Auckland.
Over this period, participants have explored and honed their practices through online and in-person masterclasses, lecture series in art history & theory, and collaboration with mentors, including this year’s video presentation masterclass led by Catalan maker Estela Saez-Vilanova.
During this time, they have worked closely together, sharing invaluable experiences and cultivating a shared vision of leadership, all while striving to achieve their individual artistic goals.
The resulting exhibition showcases diverse material and conceptual approaches, embodying Handshake’s ethos of exploration and innovation.
The exhibition process is used as a learning tool for their future exhibitions, focusing on essential curation skills, communication, work support/furniture, exhibition design, artist statements, labels, and other professional gallery ethics. Their first at Depot ArtSpace played a crucial role in this educational process, as well as the collaboration with Pah Homestead’s curator: Nicholas Butler.
MORE about HS8 second exhibition
HS8 exhibition images: Materialise
Exhibition 1
HS8’s first group exhibition was at Depot Artspace, Devonport (Auckland 4 Nov to 21 Dec 2023, opening Sat 4 Nov).
This marked the mid-project experience, featuring works that were developed throughout a year-long exploration process. The artists’ interests, masterclasses, and coaching sessions all played a vital role in shaping the edited installations of each HS8 artist.
The exhibition process is used as a learning tool for their future exhibitions, focusing on essential curation skills, communication, work support/furniture, exhibition design, artist statements, labels, and other professional gallery ethics. The Depot ArtSpace played a crucial role in this educational process.
MORE about HS8 first exhibition
HS8 exhibition images: Proof of Concept
Exhibiting art in different formats and situations is a rule-bound process that requires practice, feedback, and introduction. Creating artwork for exhibitions, participating in its planning, design, setup, installation, lighting, labels, artist statement, promotion, and delivering artist talks are all integral parts of the exhibition learning experience.
Preparing for an exhibition creates pressure and awareness among HS8 artists about the significance of planning, focus, and direction in their development. It requires good editing, a keen creative eye, resilience, and time management to articulate a homogeneous group from the process and finished works.
HS8 BLOG posts:
A Short Story Instead of an Artist Statement
I called Mum in Korea to tell her I’m in trouble with a lot of deadlines, as usual. I didn’t tell her I might be homeless soon, or that I’m too broke to send her next month’s allowance, or that I’m on trial as a victim of a crime in this foreign country after 15 years...
Inheritance
“Insanity is doing the same thing over and over again and expecting a different result” Unknown I felt that perhaps I had gone insane as I looked back through the piles of almost identical cyanotype prints I made in creating the work inheritance. The process was the...
Beginning to See the Light: Final Exhibition for Handshake 8
Lately, I’ve found myself resonating with a line from Lou Reed’s Velvet Underground days: “Well, I’m beginning to see the light.” Though Reed's words may have come from a different place entirely, the sense of slow-building euphoria in those lyrics feels fitting as I...
MIKAMI Seiko and the abject
Seiko Mikami (1961 – 2015) was a Japanese artist known for her large-scale installations. I had the opportunity to experience her work at the Museum of Contemporary Art Tokyo, when I visited Japan last year. Upon entry I encountered, Scale (1993), an installation...
HS8 E-ON sessions
E presentation workshop ON-E by Estela Saez Vilanova (CAT-ES) (subject to funding)
A series of Zoom workshops during April – October 2024 about alternative EXHIBTION options with the intention to prepare Handshake 8 artists for an online exhibition submission
Exhibitions
HS8’s second group exhibition at Pah Homestead, (Auckland 8 November 2024 – 16 February 2025, opening Th 8 Nov).
MATERIALISE marks the conclusion of a two-year journey for this remarkable group of HANDSHAKE 8 artists, at The Arts House Trust, Pah Homestead, Auckland.
Over this period, participants have explored and honed their practices through online and in-person masterclasses, lecture series in art history & theory, and collaboration with mentors, including this year’s video presentation masterclass led by Catalan maker Estela Saez-Vilanova.
During this time, they have worked closely together, sharing invaluable experiences and cultivating a shared vision of leadership, all while striving to achieve their individual artistic goals.
The resulting exhibition showcases diverse material and conceptual approaches, embodying Handshake’s ethos of exploration and innovation.
The exhibition process is used as a learning tool for their future exhibitions, focusing on essential curation skills, communication, work support/furniture, exhibition design, artist statements, labels, and other professional gallery ethics. Their first at Depot ArtSpace played a crucial role in this educational process, as well as the collaboration with Pah Homestead’s curator: Nicholas Butler.
MORE about HS8 second exhibition
HS8 exhibition images: Materialise
HS8 EXHIBITION 1
S8’s first group exhibition was at Depot Artspace, Devonport (Auckland 4 Nov to 21 Dec 2023, opening Sat 4 Nov).
This marked the mid-project experience, featuring works that were developed throughout a year-long exploration process. The artists’ interests, masterclasses, and coaching sessions all played a vital role in shaping the edited installations of each HS8 artist.
The exhibition process is used as a learning tool for their future exhibitions, focusing on essential curation skills, communication, work support/furniture, exhibition design, artist statements, labels, and other professional gallery ethics. The Depot ArtSpace played a crucial role in this educational process.
MORE about HS8 first exhibition
HS8 exhibition images: Proof of Concept
HS8’s second and end-of-project exhibition MATERIALISE: 8 Nov 2024 – 16 Feb 2025 will take place at Pah Homestead, Auckland, opening on Thursday, 7 November 2024, from 6-8 pm.
This exhibition synthesizes all the research, feedback, experiments and ideas into a cohesive body of work. A special feedback hui afterwards determines how the processes and outcomes connect (subject to funding).
Exhibiting art in different formats and situations is a rule-bound process that requires practice, feedback, and introduction. The process of creating artwork for exhibitions, participating in its planning, design, setup, installation, lighting, labels, artist statement, promotion, and delivering artist talks are all integral parts of the exhibition learning experience.
Preparing for an exhibition creates pressure and awareness among HS8 artists about the significance of planning, focus, and direction in their development. It requires good editing, a keen creative eye, resilience, and time management to articulate a homogeneous group from the process and finished works.
MIKAMI Seiko and the abject
Seiko Mikami (1961 – 2015) was a Japanese artist known for her large-scale installations. I had the opportunity to experience her work at the Museum of Contemporary Art Tokyo, when I visited Japan last year. Upon entry I encountered, Scale (1993), an installation...
To bead, or no to bead, that is the question…
Each morning I am in the studio the morning often begins with a question, "to bead, or not to bead...?". Whilst my making and form exploration has been happening on many projects this year, simultaneously, I have been working on an idea that has been bubbling away in...
Drift Lines
Recently I had a solo exhibition Drift Lines at Masterworks, Tāmaki Makaurau Auckland. To see the full catalogue please click here. "The beach is made of drift lines, all on different time: the seashell rack lines that dance with the waves; the volcanic...
Help Beautify Junkyards. Throw Something Lovely Away Today!
“There’s a wonderful sign hanging on a Toronto junkyard which reads: “Help beautify junkyards—throw something lovely away today.” And this is a very effective way of getting people to notice a lot of things.” — Marshall McLuhan In his 1964 work, The Medium is the...
MIRROR / IMAGE
It's a grey, mist-enshrouded Monday. 'A weather event' has ascended on the region overnight, heavy rainfall swelling rivers and causing havoc on the land and commuters. I'm tucked up in my nest among the hills, exorcising a chest infection, huffing inhalations of hot...
HS8 E-ON sessions
E presentation workshop ON-E by: Estela Saez Vilanova (CAT-ES) (subject to funding)
A series of Zoom workshops during April – October 2024 about alternative EXHIBTION options with the intention to prepare Handshake 8 artists for their online exhibition submission