Welcome to HandShake 8, 2023-24
HS8 is a two-year programme designed to encourage experimentation, feedback, development, and exhibiting for emerging artists. The HS8 development program aims to challenge and support each artist in their creative development, helping them to grow their capability, excitement, and endeavour through a range of masterclasses, professional support, and feedback.
The programme is comprised of eleven artists selected by Estela Saez Vilanova from Barcelona, who began with a series of masterclasses that delved deep into the content and depth of the artist’s work practice.
Estela Saez Vilanova’s masterclass is a source of inspiration and support for each HS8 artist, providing them with various design options and ideas opportunities. Her passion, succession of briefs, and direct feedback stimulate the development process in terms of ideas, material exploration, and art-making.
A special face-to-face masterclass gathering was held during the Nelson Jewellery Week in mid-April 2023, featuring the successful Push-Pull workshop of Renee Bevan (12-16 April 2023).
In the second half of 2023, the HS8 artists refined and developed their ideas from explorations and discoveries from the two masterclasses and a series of feedback sessions by three international mentor coaches who helped them refine their ‘process‘ explorations.
Another masterclass with writing expert May-Jane Duffy focuses on blog writing, content writing, and artist statements.
From 4 – 20 December 2023, HS8 artists exhibited their 2023 ‘process’ work (including some finished artwork) at DEPOT Art Space, Auckland. See their exhibition.
In the second year (2024), the HS8 mentees are matched with their mentors. The mentees develop their ideas and materials in a body of work with the assistance of their mentor.
Andrea Daly and Neke Moa’s online masterclass on ‘theory and history’ integrates art and design theory with the depth of the HS8 artist’s work through experimentation and exploration. Neke Moa introduces how connections to the art practices of tangata whenua are explored within her own artworks and those of others.
In 2024, the final masterclass will focus on innovative presentation methods. This includes using images and videos to explore different ways of presenting artworks for the HS exhibition online programme and social media platforms. The masterclass will also concentrate on producing a collaborative video expressing the unique group dynamics of HS8 alongside their artworks at their Pah Homestead exhibition.
HS8’s second and end-of-project exhibition MATERIALISE: 8 Nov 2024 – 16 Feb 2025 will take place at Pah Homestead, Auckland, opening on Thursday, 7 November 2024, from 6-8 pm.
HS8 blog posts:
A Short Story Instead of an Artist Statement
I called Mum in Korea to tell her I’m in trouble with a lot of deadlines, as usual. I didn’t tell her I might be homeless soon, or that I’m too broke to send her next month’s allowance, or that I’m on trial as a victim of a crime in this foreign country after 15 years...
Inheritance
“Insanity is doing the same thing over and over again and expecting a different result” Unknown I felt that perhaps I had gone insane as I looked back through the piles of almost identical cyanotype prints I made in creating the work inheritance. The process was the...
Beginning to See the Light: Final Exhibition for Handshake 8
Lately, I’ve found myself resonating with a line from Lou Reed’s Velvet Underground days: “Well, I’m beginning to see the light.” Though Reed's words may have come from a different place entirely, the sense of slow-building euphoria in those lyrics feels fitting as I...
MIKAMI Seiko and the abject
Seiko Mikami (1961 – 2015) was a Japanese artist known for her large-scale installations. I had the opportunity to experience her work at the Museum of Contemporary Art Tokyo, when I visited Japan last year. Upon entry I encountered, Scale (1993), an installation...
To bead, or no to bead, that is the question…
Each morning I am in the studio the morning often begins with a question, "to bead, or not to bead...?". Whilst my making and form exploration has been happening on many projects this year, simultaneously, I have been working on an idea that has been bubbling away in...
Drift Lines
Recently I had a solo exhibition Drift Lines at Masterworks, Tāmaki Makaurau Auckland. To see the full catalogue please click here. "The beach is made of drift lines, all on different time: the seashell rack lines that dance with the waves; the volcanic...
Welcome to HandShake 8, 2023-24
HS8 is a two-year programme designed to encourage experimentation, feedback, development, and exhibiting for emerging artists. The HS8 development program aims to challenge and support each artist in their creative development, helping them to grow their capability, excitement, and endeavour through a range of masterclasses, professional support, and feedback.
The programme is comprised of eleven artists selected by Estela Saez Vilanova from Barcelona, who began with a series of masterclasses that delved deep into the content and depth of the artist’s work practice.
Estela Saez Vilanova’s masterclass is a source of inspiration and support for each HS8 artist, providing them with various design options and ideas opportunities. Her passion, succession of briefs, and direct feedback stimulate the development process in terms of ideas, material exploration, and art-making.
A special face-to-face masterclass gathering was held during the Nelson Jewellery Week in mid-April 2023, featuring the successful Push-Pull workshop of Renee Bevan (12-16 April 2023).
In the second half of 2023, the HS8 artists refined and developed their ideas from explorations and discoveries from the two masterclasses and a series of feedback sessions by three international mentor coaches who helped them refine their ‘process‘ explorations.
Another masterclass with writing expert May-Jane Duffy focuses on blog writing, content writing, and artist statements.
From 4 – 20 December 2023, HS8 artists exhibit their 2023 ‘process’ work (including some finished artwork) at DEPOT Art Space, Auckland.
In the second year (2024), the HS8 mentees are matched with their mentors. The mentees develop their ideas and materials in a body of work with the assistance of their mentor.
Andrea Daly and Neke Moa’s online masterclass on ‘theory and history’ integrates art and design theory with the depth of the HS8 artist’s work through experimentation and exploration. Neke Moa introduces how connections to the art practices of tangata whenua are explored within her own artworks and those of others.
In 2024, the final masterclass will focus on innovative presentation methods. This includes the use of images and videos to explore different ways of presenting artworks for the HS exhibition online programme and social media platforms. The masterclass will also concentrate on producing a collaborative video expressing the unique group dynamics of HS8 alongside their artworks at their Pah Homestead exhibition.
HS8’s second and end-of-project exhibition MATERIALISE: 8 Nov 2024 – 16 Feb 2025 will take place at Pah Homestead, Auckland, opening on Thursday, 7 November 2024, from 6-8 pm.
MATERIALISE, HS8 exhibition
MATERIALISE: HANDSHAKE 8 Pah Homestead, Auckland, Aotearoa NZ 8 November 2024 - 16 February 2025 Denise Callan, Fiona Frew, Fran Carter, Genie Lee, Grace Yu Piper, Lisa van Hulst, Louise Hill, Nellie Peoples, Rachel Chapman, Rose Pickernell, Tūī Diprose MATERIALISE...
1Q84 and Korean Jade 곡옥 – Jade that Resembles an Embryo
“Miss, do you have kids?” “No, you lot are enough trouble for me.” (my students giggle) When I left South Korea, one of the main reasons was: I don’t want my child to go through this. A high suicide rate, endless hours for study and work, compulsory military service,...
A Short Story Instead of an Artist Statement
I called Mum in Korea to tell her I’m in trouble with a lot of deadlines, as usual. I didn’t tell her I might be homeless soon, or that I’m too broke to send her next month’s allowance, or that I’m on trial as a victim of a crime in this foreign country after 15 years...
Inheritance
“Insanity is doing the same thing over and over again and expecting a different result” Unknown I felt that perhaps I had gone insane as I looked back through the piles of almost identical cyanotype prints I made in creating the work inheritance. The process was the...
Beginning to See the Light: Final Exhibition for Handshake 8
Lately, I’ve found myself resonating with a line from Lou Reed’s Velvet Underground days: “Well, I’m beginning to see the light.” Though Reed's words may have come from a different place entirely, the sense of slow-building euphoria in those lyrics feels fitting as I...