INSTAGRAM posts
HS NEWS posts
New Zealand Jewellery Triennial
Auckland, 10 September – 20 November 2022 The first NZ Jewellery Triennial, Jewellery Beyond Time, curated by Emma Ng will feature new work from Becky Bliss, Raewyn Walsh, Neke Moa, Rowan Panther, Shelley Norton, and Moniek Schrijer. The Jewellery Triennial has been...
Standing Room Only, RNZ interview
Lynn Freeman interviews Peter Deckers, Caroline Thomas, Vivien Atkinson and Becky Bliss. Radio New Zealand Standing Room Only, 1:46 pm on 8 December 2019 LISTEN: PLAY
HANDSHAKE 5: Critical Writing Workshop
Sunday December 8, 10am-3pm | $70 - bookings essential Join visiting artist-jeweller and writer Roseanne Bartley for an immersive and interactive critical writing workshop at TE URU, Auckland for artists, curators, and writers interested in developing a performative...
HANDSHAKE 5: Artists’ Walk and Talk
Saturday December 7, 3pm at TE URU, Auckland Artists from the HANDSHAKE 5: in site exhibition introduce their work ahead of the 4pm exhibition opening. This is a unique opportunity to hear from contemporary jewellers from across Aotearoa, who have come to Te Uru for...
HANDSHAKE 5: IN SITE – exhibition at TE URU, Auckland
HANDSHAKE 5: IN SITE For the Auckland edition of the fifth HANDSHAKE series, HANDSHAKE 5: in site brings together ten jewellers from across Aotearoa for an exhibition that explores the potential of jewellery in large-scale spaces. While jewellers commonly dress the...
HS craft writers’ programme
The HS craft-writers’ programme is open for submissions HANDSHAKE Project is launching a pilot craft writers’ programme, running from January 2020 to December 2021. The online programme will nurture the writing skills of craft and art professionals with a view to...
jewellery MASTERCLASS with IRIS EICHENBERG
CALL for New Zealand artists with jewellery interests APPLICATION ENTRIES ARE CLOSED The first of the NZ masterclass workshop series is with IRIS EICHENBERG, in Auckland (Epsom) Workshop dates: 31 January, 1 and 2 February 2020 Entry is on application Click here for...
OPEN CALL for HANDSHAKE 6 (2020-21)
CALL for jewellery ARTISTS, deadline Tuesday, 29 Oct 2019 Click here for more information
Review by Helen Wyatt
NZ jewellery artists remind us to play with complexity while pushing the boundaries of the worn object every which way. New Zealand jewellery artists continue to produce work that is intellectually strong, materially curious and playful. In April, Stanley Street...
Hall of Mirrors: on journeying, viewing, and the critical legacy of encounters.
by Lieta Marziali An essay about the exhibition Te Ao Hurihuri /Ever-Changing Worlda collaboration between Dialogue Collective and Handshake Project, The Crypt Gallery, London, 23-27 October 2018. Read it on KLIMT02
Three OCTOBER 2018 exhibitions
exhibitions: JEWELdisplayJEWEL at Pataka, Porirua till 14 October MOREPOLARITY at Corbans, Auckland till 21 October MORETe Ao Hurihuri – Ever Changing World at the Crypt, London 23-27...
Te Ao Hurihuri : Ever Changing World
~Journeys through jewellery from New Zealand and the UK~ CLICK here for imagesCLICK here for Lieta Marziali essayThe Crypt galleryDukes Road Entrance off Euston Road, London NW1 2BA.23 – 27 October 2018 12:00 – 19:00.Opening Event Tuesday...
JEWEL-display-JEWEL
Pātaka Art + Museum, Toi Gallery, Porirua, 14 September– 14 October 2018 ARTISTS: Nik Hanton, Katie Pascoe, Kylie Sinkovich, Kim Whalen, Sharon Fitness, Renee Bevan, Jennifer Laracy, Kristin d’Agostino, Judy Darragh, Vanessa Arthur, Lisa Higgins, Jessica Winchcombe,...
Polarity at Corbans Art Centre
7 September - 21 October 2018 HANDSHAKE 4 last public exhibition READ more
Handshake 4 – PROCESS
Process at Toi Pōneke Gallery brings together original works by the twelve HS4 jewellers who are currently half-way through their two-year mentorship programme. A unique exhibition design by artist Gabby O'Connor extends the idea of process by including works in...
Observations on the contemporary object
30 November 2017 posted on The Big Idea - Mark Amery writes about current issues and exhibitions around New Zealand. The following text explores 'craft' as a verb: Welcome to the fine contemporary object. It’s a little bit punk - revelling in making unexpected...
selected NEWS snips
review
review
Artq.Collection interview
Interview: Antonia Boyle on Her Creative Pursuits and Ambitions in the Art Industry
You have been creating jewellery for the Company of Strangers, how has this
shaped your career as an artist? What have you learned from the experience?
I have been working with Company of Strangers for a few years now. Manufacturing their jewellery has taught me the value of my eye for detail. When producing jewellery for stores consistency is key and so the details really make a difference in the end product and the overall cohesive look of the collection that ends up in the stores. It has also taught me about communication, when working with a business producing work that has their name on it it’s important to me that they feel the work I produce accurately portrays their brand.
2019
essay by Lieta Marziali published at Klimt02
HALL OF MIRRORS: ON JOURNEYING, VIEWING, AND THE CRITICAL LEGACY OF ENCOUNTERS
A Reflective Essay by Lieta Marziali about the exhibition Te Ao Hurihuri / Ever Changing World, a collaboration between Dialogue Collective and Handshake Project, The Crypt Gallery, London, 23-27 October 2018.
Essay by Kim Paton for ‘Contemporary HUM’
Valuing the Handmade: New Zealand Jewellers in Munich
Kim Paton looks a the NZ jewellery exhibition IWA, at the Frame in Munich
Video
LEANINGS at Pah Homestead (HS4)
Gallery conversation:
Carolin Denton interview for ‘KLIMT02’
Isolation and Global Sameness. About Critique. Interview with Peter Deckers
Klimt02 has started a discussion about critique and shows various perceptions. We have been choosing different interview partners from the field of art and design. Working in art and design might seem like a wonderfully idyllic and relaxed career choice, where you have the pure freedom to let your creative juices flow. Each of them represents a unique view and gives us an overview of their own experiences. This is the third interview of seven.
The story behind Wellington’s Handshake, by Helen Wyatt
NZ jewellery artists remind us to play with complexity while pushing the boundaries of the worn object every which way.
New Zealand jewellery artists continue to produce work that is intellectually strong, materially curious and playful. In April, Stanley Street Gallery, Sydney, once again facilitated a significant number of these artists in the 2018 Australian show of the HANDSHAKE Project – SUPER POSITIONS.
Artists’ statements and exhibition photos
Handshake Project
Super Positions
Super positions in NZ contemporary jewellery; a handshake to the 21st Sydney Biennale.
“The ability to put objects on our body makes us different to the next person. It is the thing that makes us human, it is the thing that has connected all civilisations since Superposition waves began when one cave woman found a thing with a hole in it, stuck her finger in it and called it a ring”. (Sharon Fitness).
Brooches by Shelley Norton. Plastic shopping bags reconstructed to create a desirable object. Photo: Caryline Boreham.
New Zealand contemporary jewellery to shine in Munich
REVIEW
review of all the stands of the ‘Frame galleries’, HWM, Munich
IWA team
IWA: New Zealand makers at Frame 2018
READ
HANDSHAKE 4 – POLARITY exhibition overview video
Handshake 4 – Polarity from The Wallace Arts Channel on Vimeo.
Polarity is the last exhibition of the Handshake project’s 4th iteration.
The twelve Handshake 4 artists explore the opposing and complementary powers of light and dark by employing considered lighting and display techniques.
These jewellers exhibit work that questions the essential dualities within all of us. They do that in two polarised rooms at the Corban Arts Estate.
MORE
Mark Amery interview
PODCAST
In this pod discussion at a monthly gathering for artists across all disciplines interested in working outside conventional venues we hear from producer Herbee Bartley (Massey College of Creative Arts Pasifika Advisor and co-founder Kava Club) and ‘jewellery activist’ Peter Deckers (Handshake) talk on creating artist support networks beyond institutions, mentoring, current arts sector fatigue around PR and fundraising and seeding artist-run collectives rather than becoming big bodies.
The next Urban Dreams Monthly in Wellington is Tuesday 19 September 12.30pm at meanwhile gallery Level 2, 99 Willis Street. In conversation Jordana Bragg and Jo Randerson. on “owning It: creating enduring artist-run spaces”.
LISTEN
BOOK in pdf
Handshake 3 exhibition at the Frame
HANDSHAKE 3 at Munich Jewellery Week at the FRAME galleries (Handwerks Messe)
Handshake exhibition: Concept & Conception, the FRAME galleries, Internationale Handwerksmesse 2017, Munich
Essay by Peter Deckers for ‘Klimt02’
Kelly McDonald, Manifesto, 2014. Rubber, leather, aluminium, paper, copper, silver, brass, steel, gold, wood, stone, plastic (photo by the artist)
Show it ALL by Peter Deckers
“An interesting and critical article about the meaning, the history, the development, the use, the connection and the presentation of an exhibition”.
Article published in the book Contemporary Jewellery in Context by Peter Deckers.
March 2017
Collaboration process and exhibition, Munich
It Will All Come Out In The Wash
collaboration project with Dialogue Collective
Review of the HS3 exhibition ‘REFLECT’ at the Dowse
Handshaking with Emotion: A Review of Handshake 3: Reflect
By Lucy Jackson
Opening speech notes:
HANDSHAKE second book publication
A series of essays that is written through the lens of the HANDSHAKE project model
Writers include: Kim Paton (NZ) who writes about Teaching, Liesbeth den Besten (NL) writes about
Making, Sian van Dyk (NZ) about Curating, Peter Deckers (NZ) about Exhibiting and
Benjamin Lignel (FR) writes about Collaborating.
MORE
BOOK preview in pdf
catalogue
The HS3 catalogue with writings from Hilde de Decker, Kim Paton, Tanel Veenre, Peter Deckers, Sofia Björkman, a gazette from Dialogue Collective and introductions to the 12 HS3 artists: see CATALOGUE in pdf
HS3 exhibition catalogue at Objectspace
2016
Review of Munich Jewellery week by Philip Clarke
Philip Clarke
Our contemporary jewellery
artists shine at Schmuck
What has New Zealand jewellery got going for it? Pretty much
everything, Philip Clarke explains in this survey of some of
our jewellery Olympians and their exploits overseas.
ARTICLE by Philip Clark (ArtNews)
SPECIALS : a photo essay of the HandShake Alumni Munich exhibition at the Einsäulensaal in the Munich Residenz Palace.
Click here for more details about this show
DOWNLOAD Munich Specials catalogue LR PDF
Benjamin Lignel (AJF editor) interview with Peter Deckers
Interview
Benjamin Lignel AJF interview with Peter Deckers about the Handshake project.
October 2016
Interview
New eductaional trends and shifts are discussed in this article with Karen Pontoppian: https://artjewelryforum.org/in-conversation-with-karen-pontoppidan
5 April 2016Overview #26
In Overview #26 you can find an article about how the HandShake project has progressed.
exhibition announcement
Sofia Bjorgman & Hilde de Decker at AVID, Wellington, NZ
Essay by Peter Deckers
Jewellery frontiers’ virtual and analogue HANDSHAKE
HANDSHAKE project founder, Peter Deckers, unravels how the pairing of mentors and exhibitions accelerates selected New Zealand jewellery artists in their thinking, making, presentation and networking.
by
Jewellery across the miles (interview)
Jeweller Amelia Pascoe with works made out of old shoes.
Liesbeth den Besten article for AJF
THE GOLDEN STANDARD OF SCHMUCKASHAU
snip….As a matter of fact, the Handshake project—a mentoring project with young mentees from New Zealand and tutors from all over the world and the brainchild of Peter Deckers—was one of the very few innovative projects that participated in Munich. It was innovative because of the collaboration between mentees and mentors via Internet, Skype, and blogs, and also because the final show involved some work that was made on the spot or was open ended…..end snip
Standing Room Only: Radio NZ
The Handshake Project
Everyone needs a helping hand from time to time. And the Handshake Project, a three-year scheme matching-up emerging jewellers with the superstar mentor of their choice, does just that.
Curator Jo Mears, exhibition at the Dowse (travelled from the Wallace Art Centre and Wallace Gallery)
Retrospect pays respect to New Zealand contemporary jeweller, Peter Deckers
“The works in Retrospect present a magnificent survey of current contemporary jewellery practice,” says curator Jo Mears, “The exhibition pays homage to and ‘gives back’ to Peter Deckers, a mentor who has created many opportunities for new and established artists to exhibit in major public shows.”
Peter Deckers keynote speaker at the JMGA, Brisbane
Participation and Exchange: interactive PARTNERS
READ/see
International Contemporary Jewellery Symposium, Feb 2012
JEMposium ‘Jewellery or What’
JEMposium brings together contemporary jewellers, collectors, curators, critics, and jewellery enthusiasts from New Zealand and abroad to discuss and celebrate the art of jewellery. The symposium will be held in Wellington from 10th-13th of February 2012.
JEMposium : the art of jewellery by Jenah Shaw
JEMposium EXHIBITIONS review by Mark Amery
HANDSHAKE PledgeMe campaign
HANDSHAKE 1 final exhibition of the 3-year project is a collaboration between the Handshake mentee and their mentor exhibited at Objectspace 15 June 2013 – 20 July 2013. Each artist pair made-up their own rules and many did not play it safe.
see exhibition CATALOGUE with artist statements
selected NEWS snips
PROOF of CONCEPT, 21Nov-20Dec
Proof of Concept HS8 group exhibition at DEPOT ArtSpace, Auckland 4 November – 20 December, opening Saturday 4 Nov, 2 pm ‘Proof of Concept’ is an exhibition that marks the halfway point in the journey of HANDSHAKE 8's two-year professional development...
PROOF of concept, HS8 exhibition
4 November – 21 December, opening Saturday 4 Nov, 2 pm ‘Proof of Concept’ is an exhibition at DEPOT Artspace , Devenport, Auckland that marks the halfway point in the journey of HANDSHAKE 8; a two-year professional development programme for 11 contemporary jewellers....
HANDSHAKE 8 is live
Welcome to HandShake 8, 2023-24 HS8 is a 2-year programme that encourages experimentation, feedback, development, and exhibiting. Twelve emerging artists selected by Estela Saez Vilanova (Barcelona) start off with a series of masterclasses in which depth and content...
review
review
Artq.Collection interview
Interview: Antonia Boyle on Her Creative Pursuits and Ambitions in the Art Industry
You have been creating jewellery for the Company of Strangers, how has this
shaped your career as an artist? What have you learned from the experience?
I have been working with Company of Strangers for a few years now. Manufacturing their jewellery has taught me the value of my eye for detail. When producing jewellery for stores consistency is key and so the details really make a difference in the end product and the overall cohesive look of the collection that ends up in the stores. It has also taught me about communication, when working with a business producing work that has their name on it it’s important to me that they feel the work I produce accurately portrays their brand.
2019
essay by Lieta Marziali published at Klimt02
HALL OF MIRRORS: ON JOURNEYING, VIEWING, AND THE CRITICAL LEGACY OF ENCOUNTERS
A Reflective Essay by Lieta Marziali about the exhibition Te Ao Hurihuri / Ever Changing World, a collaboration between Dialogue Collective and Handshake Project, The Crypt Gallery, London, 23-27 October 2018.
Essay by Kim Paton for ‘Contemporary HUM’
Valuing the Handmade: New Zealand Jewellers in Munich
Kim Paton looks a the NZ jewellery exhibition IWA, at the Frame in Munich
Video
LEANINGS at Pah Homestead (HS4)
Gallery conversation:
Carolin Denton interview for ‘KLIMT02’
Isolation and Global Sameness. About Critique. Interview with Peter Deckers
Klimt02 has started a discussion about critique and shows various perceptions. We have been choosing different interview partners from the field of art and design. Working in art and design might seem like a wonderfully idyllic and relaxed career choice, where you have the pure freedom to let your creative juices flow. Each of them represents a unique view and gives us an overview of their own experiences. This is the third interview of seven.
The story behind Wellington’s Handshake, by Helen Wyatt
NZ jewellery artists remind us to play with complexity while pushing the boundaries of the worn object every which way.
New Zealand jewellery artists continue to produce work that is intellectually strong, materially curious and playful. In April, Stanley Street Gallery, Sydney, once again facilitated a significant number of these artists in the 2018 Australian show of the HANDSHAKE Project – SUPER POSITIONS.
Artists’ statements and exhibition photos
Handshake Project
Super Positions
Super positions in NZ contemporary jewellery; a handshake to the 21st Sydney Biennale.
“The ability to put objects on our body makes us different to the next person. It is the thing that makes us human, it is the thing that has connected all civilisations since Superposition waves began when one cave woman found a thing with a hole in it, stuck her finger in it and called it a ring”. (Sharon Fitness).
Brooches by Shelley Norton. Plastic shopping bags reconstructed to create a desirable object. Photo: Caryline Boreham.
New Zealand contemporary jewellery to shine in Munich
REVIEW
review of all the stands of the ‘Frame galleries’, HWM, Munich
IWA team
IWA: New Zealand makers at Frame 2018
READ
HANDSHAKE 4 – POLARITY exhibition overview video
Handshake 4 – Polarity from The Wallace Arts Channel on Vimeo.
Polarity is the last exhibition of the Handshake project’s 4th iteration.
The twelve Handshake 4 artists explore the opposing and complementary powers of light and dark by employing considered lighting and display techniques.
These jewellers exhibit work that questions the essential dualities within all of us. They do that in two polarised rooms at the Corban Arts Estate.
MORE
Mark Amery interview
PODCAST
In this pod discussion at a monthly gathering for artists across all disciplines interested in working outside conventional venues we hear from producer Herbee Bartley (Massey College of Creative Arts Pasifika Advisor and co-founder Kava Club) and ‘jewellery activist’ Peter Deckers (Handshake) talk on creating artist support networks beyond institutions, mentoring, current arts sector fatigue around PR and fundraising and seeding artist-run collectives rather than becoming big bodies.
The next Urban Dreams Monthly in Wellington is Tuesday 19 September 12.30pm at meanwhile gallery Level 2, 99 Willis Street. In conversation Jordana Bragg and Jo Randerson. on “owning It: creating enduring artist-run spaces”.
LISTEN
BOOK in pdf
Handshake 3 exhibition at the Frame
HANDSHAKE 3 at Munich Jewellery Week at the FRAME galleries (Handwerks Messe)
Handshake exhibition: Concept & Conception, the FRAME galleries, Internationale Handwerksmesse 2017, Munich
Essay by Peter Deckers for ‘Klimt02’
Kelly McDonald, Manifesto, 2014. Rubber, leather, aluminium, paper, copper, silver, brass, steel, gold, wood, stone, plastic (photo by the artist)
Show it ALL by Peter Deckers
“An interesting and critical article about the meaning, the history, the development, the use, the connection and the presentation of an exhibition”.
Article published in the book Contemporary Jewellery in Context by Peter Deckers.
March 2017
Collaboration process and exhibition, Munich
It Will All Come Out In The Wash
collaboration project with Dialogue Collective
Review of the HS3 exhibition ‘REFLECT’ at the Dowse
Handshaking with Emotion: A Review of Handshake 3: Reflect
By Lucy Jackson
Opening speech notes:
HANDSHAKE second book publication
A series of essays that is written through the lens of the HANDSHAKE project model
Writers include: Kim Paton (NZ) who writes about Teaching, Liesbeth den Besten (NL) writes about
Making, Sian van Dyk (NZ) about Curating, Peter Deckers (NZ) about Exhibiting and
Benjamin Lignel (FR) writes about Collaborating.
MORE
BOOK preview in pdf
catalogue
The HS3 catalogue with writings from Hilde de Decker, Kim Paton, Tanel Veenre, Peter Deckers, Sofia Björkman, a gazette from Dialogue Collective and introductions to the 12 HS3 artists: see CATALOGUE in pdf
HS3 exhibition catalogue at Objectspace
2016
Review of Munich Jewellery week by Philip Clarke
Philip Clarke
Our contemporary jewellery
artists shine at Schmuck
What has New Zealand jewellery got going for it? Pretty much
everything, Philip Clarke explains in this survey of some of
our jewellery Olympians and their exploits overseas.
ARTICLE by Philip Clark (ArtNews)
SPECIALS : a photo essay of the HandShake Alumni Munich exhibition at the Einsäulensaal in the Munich Residenz Palace.
Click here for more details about this show
DOWNLOAD Munich Specials catalogue LR PDF
Benjamin Lignel (AJF editor) interview with Peter Deckers
Interview
Benjamin Lignel AJF interview with Peter Deckers about the Handshake project.
October 2016
Interview
New eductaional trends and shifts are discussed in this article with Karen Pontoppian: https://artjewelryforum.org/in-conversation-with-karen-pontoppidan
5 April 2016Overview #26
In Overview #26 you can find an article about how the HandShake project has progressed.
exhibition announcement
Sofia Bjorgman & Hilde de Decker at AVID, Wellington, NZ
Essay by Peter Deckers
Jewellery frontiers’ virtual and analogue HANDSHAKE
HANDSHAKE project founder, Peter Deckers, unravels how the pairing of mentors and exhibitions accelerates selected New Zealand jewellery artists in their thinking, making, presentation and networking.
by
Jewellery across the miles (interview)
Jeweller Amelia Pascoe with works made out of old shoes.
Liesbeth den Besten article for AJF
THE GOLDEN STANDARD OF SCHMUCKASHAU
snip….As a matter of fact, the Handshake project—a mentoring project with young mentees from New Zealand and tutors from all over the world and the brainchild of Peter Deckers—was one of the very few innovative projects that participated in Munich. It was innovative because of the collaboration between mentees and mentors via Internet, Skype, and blogs, and also because the final show involved some work that was made on the spot or was open ended…..end snip
Standing Room Only: Radio NZ
The Handshake Project
Everyone needs a helping hand from time to time. And the Handshake Project, a three-year scheme matching-up emerging jewellers with the superstar mentor of their choice, does just that.
Curator Jo Mears, exhibition at the Dowse (travelled from the Wallace Art Centre and Wallace Gallery)
Retrospect pays respect to New Zealand contemporary jeweller, Peter Deckers
“The works in Retrospect present a magnificent survey of current contemporary jewellery practice,” says curator Jo Mears, “The exhibition pays homage to and ‘gives back’ to Peter Deckers, a mentor who has created many opportunities for new and established artists to exhibit in major public shows.”
Peter Deckers keynote speaker at the JMGA, Brisbane
Participation and Exchange: interactive PARTNERS
READ/see
International Contemporary Jewellery Symposium, Feb 2012
JEMposium ‘Jewellery or What’
JEMposium brings together contemporary jewellers, collectors, curators, critics, and jewellery enthusiasts from New Zealand and abroad to discuss and celebrate the art of jewellery. The symposium will be held in Wellington from 10th-13th of February 2012.
JEMposium : the art of jewellery by Jenah Shaw
JEMposium EXHIBITIONS review by Mark Amery
HANDSHAKE PledgeMe campaign
HANDSHAKE 1 final exhibition of the 3-year project is a collaboration between the Handshake mentee and their mentor exhibited at Objectspace 15 June 2013 – 20 July 2013. Each artist pair made-up their own rules and many did not play it safe.
see exhibition CATALOGUE with artist statements
INSTAGRAM posts
Error: No feed found.
Please go to the Instagram Feed settings page to create a feed.
posted HS news
HANDSHAKE 8 is live
Welcome to HandShake 8, 2023-24 HS8 is a 2-year programme that encourages experimentation, feedback, development, and exhibiting. Twelve emerging artists selected by Estela Saez Vilanova (Barcelona) start off with a series of masterclasses in which depth and content...
HS8, call for jewellery artists
deadline 17 January 2023, 5pm Application is now open for HANDSHAKE 8 (2023-2024). The HANDSHAKE mentor and exhibition programme continues with a new cumulative two-year project. This call is open for NZ artists who can commit and want to refresh and/or accelerate...
Gallery Marzee presents: HandShake 7
HandShake 7 12 NZ jewellery artists 04-Dec-2022 till 11-02-2023 HS7 final exhibition is at galerie Marzee (curator Marie-José van Hout), Nijmegen, the Netherlands, opening ceremony Su 4 December 2022. HS7 artist, Mia Straka, represents the HS7 artists and HS...
WHĀNUI at the National
'Whānui' is an exhibition by ten innovative Aotearoa artists that have participated in former HANDSHAKE projects. The HANDSHAKE project has been for the last 10 years instrumental in supporting early career and emerging jewellery artists, allowing them in developing...
TWO noticeable Jewellery exhibitions in Auckland
MORPH HS6 exhibition, NORTHART, Northcote, Auckland, 30th August – 8th October 2022 ‘MORPH’ represents the final body of work created by the twelve artists of Handshake 6.Aotearoa Jewellery Triennial The first Jewellery Triennial is at Objectspace, Auckland, 10...