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HANDSHAKE 7

 

   

HS7  activities                

HANDSHAKE 7 activities

The HS7 activity programme aims to provoke creative development through experimentation, and endeavour.

The HS7 group started with a masterclass series over ZOOM with Estela Saez Vilanova from Barcelona. Estella’s workshop sessions stretched till mid-June and pushed the HS7 artists with a variety of assignments.

The motivation of her masterclass is to search for inspiration, understand it, and when needed, apply it as a gathered experience to the working process of the artist. The HS7 artists revisited their usual making processes through a well-balanced comprehension of the conscious & unconscious phenomena, in an attempt to somehow merge the two.

After the intensive masterclass sessions of Estella Saez, each of the HS7 artists explored the discoveries and possible options for producing a new body of work for the MARZEE exhibition.

Next to the artistic development a series of feedback coach’ sessions were planned for professional responses to the developing exhibition work of the HS7 artists.

The selection of international coaches picked by MARZEE were Iris Bodemer, Katharina Dettar, and Annelies Planteijdt. They gave multiple feedback during the second half of 2022 with their expertise and knowledge. Each of the feedback sessions was open to other HS7 artists with learning opportunities for all.

The overall overseer of the HS7 group is curator and writer Sarah McClintock from Masterton (NZ).

Sarah’s role is to act as a surrogate for the audience; a kind of medium that connects the public and the artist. With her experience in writing and speaking about contemporary jewellery, Sarah provided insight and assistance that guided the HS7 artists in crafting the right words for their artist statements, alongside their making of the exhibition work.

 

 

 

HS7 blog posts

A Stitch in Time 2022

A Stitch in Time 2022

Spending time with a material that is bound for landfill might seem futile, or the conscious act of repair. Producing something that sits lightly on the body but holds a silent heavy narrative. A small act of personal activism in uncertain times. This work developed...

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The garden of earthly delights

The garden of earthly delights

The final part of the Handshake 7 programme saw 3 artists from Galerie Marzee look over our work, over zoom, and offer a critical response. From the private spaces of our homes and studio spaces, we shared processes, concepts, and contexts and received generous, if...

read more
Gallery Marzee presents: HandShake 7

Gallery Marzee presents: HandShake 7

HandShake 7 12 NZ jewellery artists 04-Dec-2022  till 11-02-2023 HS7 final exhibition is at galerie Marzee (curator Marie-José van Hout), Nijmegen, the Netherlands, opening ceremony Su 4 December 2022. HS7 artist, Mia Straka, represents the HS7 artists and HS...

read more

HandShake 7 activities

The HS7 activity programme aims to provoke creative development through experimentation, and endeavour.

The HS7 group started with a masterclass series over ZOOM with Estela Saez Vilanova from Barcelona. Estella’s workshop sessions stretched till mid-June pushed the HS7 artists with variety of assignments.

The motivation of her masterclass is to search for inspiration, understand it, and when needed, is applied as a gathered experience to the working process of the artist. The HS7 artists revisited their usual making processes through a well-balanced comprehension of the conscious & unconscious phenomena, in an attempt to somehow merge the two.

After the intensive masterclass sessions of Estella Saez, each of the HS7 artists explore the discoveries and possible options of producing a new body of work for the MARZEE exhibition.

Next to the artistic development a series of feedback coach’ sessions were planned for professional responses to the developing exhibition work of the HS7 artists.

The selection of international coaches picked by MARZEE were Iris Bodemer, Katharina Dettar, Annelies Planteijdt. They gave multiple feedback during the second half of 2022 with their expertise and knowledge. Each of the feedback sessions were open to watch to other HS7 artists with learning opportunities for all.

The overall overseer of the HS7 group is curator and writer Sarah McClintock from Masterton (NZ).

Sarah’s role is to act as a surrogate for the audience; a kind of medium that connects the public and the artist. With her experience in writing and speaking about contemporary jewellery, Sarah provided insight and assistance that guided the HS7 artist in crafting the right words for their artist statements, alongside their making of the exhibition work.

                     

The garden of earthly delights

The garden of earthly delights

The final part of the Handshake 7 programme saw 3 artists from Galerie Marzee look over our work, over zoom, and offer a critical response. From the private spaces of our homes and studio spaces, we shared processes, concepts, and contexts and received generous, if...

read more
Gallery Marzee presents: HandShake 7

Gallery Marzee presents: HandShake 7

HandShake 7 12 NZ jewellery artists 04-Dec-2022  till 11-02-2023 HS7 final exhibition is at galerie Marzee (curator Marie-José van Hout), Nijmegen, the Netherlands, opening ceremony Su 4 December 2022. HS7 artist, Mia Straka, represents the HS7 artists and HS...

read more
WHĀNUI    at the National

WHĀNUI at the National

'Whānui' is an exhibition by ten innovative Aotearoa artists that have participated in former HANDSHAKE projects. The HANDSHAKE project has been for the last 10 years instrumental in supporting early career and emerging jewellery artists, allowing them in developing...

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TWO noticeable Jewellery exhibitions in Auckland

MORPH HS6 exhibition, NORTHART, Northcote,  Auckland, 30th August – 8th October 2022 ‘MORPH’ represents the final body of work created by the twelve artists of Handshake 6.Aotearoa Jewellery Triennial The first Jewellery Triennial is at Objectspace, Auckland, 10...

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Aotearoa Jewellery Triennial

Aotearoa Jewellery Triennial

A Stone, an Echo, a Sign: Aotearoa Jewellery Triennial 10 Sep–20 Nov 2022 Curated by Emma Ng Featuring new work by Becky Bliss, Neke Moa, Shelley Norton, Rowan Panther, Moniek Schrijer and Raewyn Walsh Whether it’s a bangle of Chinese jade, a carefully lashed toki...

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MORPH exhibition

MORPH exhibition

MORPH HS6 exhibition, NORTHART, Northcote,  Auckland, 30th August – 8th October 2022 ‘MORPH’ represents the final body of work created by the twelve artists of Handshake 6. MORPH refers to transformation, this exhibition seeks to demonstrate that quality through the...

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and zooming out

and zooming out

I too, attended the masterclass led by Estela Saez.  It got me thinking about the sun and the moon and led me here: https://www.youtube.com/watch?v=0fKBhvDjuy0&t=35s The Powers of Ten          ...

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Masterclass with Estela Saez

Masterclass with Estela Saez

Our masterclass with Estela was engaging, thought provoking and fast paced. During our meetings, there was no time to over think things – sometimes we only had 30 seconds to make something so we no choice but to go with our first instincts. It was challenging (in a...

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Currently…

Currently…

Estela  Saez is a force of nature. Despite the limitations of Zoom she managed to herd the cats of Handshake 7 and facilitate some really good making [plus a large dollop of indifferent making by me which Estela rightly identified!]. I hugely enjoyed the input of my...

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SHAPE SHIFTER: HS6 Fundraiser

SHAPE SHIFTER: HS6 Fundraiser

The HANDSHAKE6 group has been collaborating on a fundraising necklace project for a while, and they are excited to share the results! These necklaces are a collaboration between the group with each participant designing one of the 12 shapes. There are 4 different...

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into the darkness… again….

into the darkness… again….

Well we’re underway again with some more Handshake masterclass magic!. Estela Saez had us leaping into the dark and if not exactly leading us blindly into the night, then certainly coaxing us into new and (for meat least) quite unknown territory. Just as you’d expect...

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Finding Fire

Finding Fire As it goes sometimes, I’ve been finding it challenging to connect to my creative pathway this year. It has been like trying to find the signposts at the start of the walking track, only to realize there are none, and what awaits me is a sickle and the...

Justene Williams

Justene Williams, is an contemporary Australian artist who makes her large-scale immersive works, using multi-channel video installations, photography and performance. Through challenging social norms, using of found objects and waste materials, collage and...

Ana Mendieta

Ana Mendieta was born in Cuba in 1948. Her father, Ignacio Mendieta, was a lawyer who had worked with the FBI during World War II.  In 1960 he became involved in an uprising against Fidel Castro and was concerned for the safety of his family.  At 12, Ana Mendieta and...

Pōhutukawa play

At the last catch up that I had with my mentor, Neke Moa, she gave me an exercise to help expand my material knowledge. For this exercise I focused on pōhutukawa timber. I had briefly introduced myself to the material with my previous hand carved timber form studies....

Judy Chicago

When Judy Chicago was a student at UCLA in the late 1950s, she took a class called "Intellectual History or Europe," where her male professor declared that women had made zero contributions to European history.  Aware of how little Chicago to start what would become a...

Hannah Wilke

Hannah Wilke was among the first Artists to incorporate vaginal imagery into her work.  During the 1970s, she used her own body to create "performalist self-portraits."   Her work "S.O.S. – Starification Object Series" from 1974 to 1982, critiqued the commodification...

Carolee Schneemann

Anthony McCall, thirteen photographs of Carolee Schneemann, Interior Scroll, 1975. Stockholm: Moderna Museet. © Carolee Schneemann. Photo: Estate of Carolee Schneemann/Galerie Lelong & Co./Hales Gallery/PPOW Gallery. Challenging the way that women's Art was...

Yoko Ono

    Judy (Judith Darragh, my handshake mentor), has suggested I take a look at a series of performance Artists who deal with the body and a piece that I find meaningful. I am starting with the incredible Yoko Ono. Ono's work often questioned the division...

To wash or not to wash?

It might seem like a weird question to consider but something that I puzzle over is  whether or not to clean the materials (at the moment found rubbish objects and things) that I am currently working with. For some people this is probably not a question that they...

Starting Again – Almost

Suddenly it is almost June! I have had three sessions now with my mentor, Manon van Kouswijk. She has been insightful and generous. Suggesting exercises to help loosen up my practice and allow space for the unexpected. After our last meeting, she pointed out that my...