Participants (see their HS progress)
- Antonia Boyle
- Aphra Cheesman
- Nina van Duijnhoven
- Jack Hadley
- Fran Leitch
- Nikki Perry
- Amelia Rothwell
- Mia Straka
- Simon Swale
- Susan Videler
- Michelle Wilkinson
- Macarena Bernal
HS6 collaboration video work
WELCOME TO HANDSHAKE 6 (HS6), 2020 – 2021/22
The HS6 two-year programme offered emerging jewellery artists a unique opportunity to develop skills through masterclasses, mentoring, and work development involving experimentation and exhibiting. Iris Eichenberg (US) selected twelve talented artists and paired them with recommended mentors who provided regular feedback and support throughout the two-year program. In 2019, Iris Eichenberg came to Auckland and conducted a masterclass with HS6 artists, igniting various conceptual and design approaches and opportunities. Her public lecture at Objectspace in Auckland drew a full house of enthusiasts.
Despite the challenges posed by COVID-19, each HS6 artist was able to continue their research, experimentation, and development online with the assistance of their assigned mentors. The first exhibition opportunity was pre-Covid and curated by Weasel Gallery in Hamilton (now rebranded as Laree Payne Gallery). During Covid, the HS6 artists showcased their work at various exhibitions, including “Signing-In” at Te Auaha, Wellington, and a large, curated exhibition called “CHAINreaction” at the Refinery as part of the first Nelson Jewellery Week.
Throughout the programme, the artists benefited from a series of lectures and workshops on professional ethics, fundraising, communication, and design. They also received valuable training on presenting and promoting their work online through the ON-E masterclass workshop led by Estella Saez (ES).
Despite the obstacles presented by COVID-19, the HS6 artists remained resilient, supporting each other and working together as a team. Their successful funding campaign and the production of a video and catalogue for the final exhibition MORPH at NorthArt in Auckland showcased their extraordinary qualities and demonstrated the power of effective teamwork. Overall, the HS6 program provided a valuable opportunity for emerging artists to develop their skill set and showcase their refined work to a wider audience.
Iris Eichenberg’s masterclass in 2020
HS6 focused primarily on the individual development of each mentee’s art practice, with feedback and assistance from their selected mentor. Their exploration package included research, experimentation, various design processes, and material explorations. The year kicked off with a JEWELcamp, covering expectations, obligations, and professional ethics.
Renowned artist and educator Renee Bevan conducted her influential PUSH-PULL workshop, providing a series of methods for exploring and expanding ideas and designs.
Following the JEWELcamp, a masterclass from Iris Eichenberg equipped HS6 artists with various toolsets of new approaches and opportunities.
HS6 artists at their MORPH opening, Northart, Auckland, August 2022
- (top row:) Maca Bernal, Simon Swale, Susan Videler, Antonia Boyle, Nikki Perry, Jack Hadley, Michelle Wilkinson
- (bottom row:) Fran Leitch, Mia Straka, Nina van Duijnhoven, Aphra Cheesman, Amelia Rothwell
HS6 NEWS & BLOGs:
Head, Hands and Heart : Part 1 – Head
Up until now my work has often been quite literal – forms are easily identified, stories are quickly understood. The experimental nature of Handshake has presented me with an opportunity to push myself into a different kind of outcome.
The contrast in time
The contrast in time Monika sips green tea, I sip wine. NZ is easy to contain, she says. She is speaking about bloody Covid. This strange continuity with online graduations is forcing creativity. I learn that working naked (meaning...
Makeshift Studio and Image Dump
During lockdown, I set up a a studio in the basement of my flat. It's messy and damp, but it has been a wonderful space to have. It is very makeshift. I use paint buckets as stools and often work on floor. There is a fire extinguisher prominently installed to ease my...
Bubble, Struggle, Breathe and Weave
This past month we have moved beyond full lockdown, after the dissolution of my bubble I shifted back to my flat and set up my home studio again. Now I am able to get back into my shared workshop. Manon and I had our first face to face meeting via Zoom two days ago, I...
Lockdown blockdown
I’ll have to call this my April blog, due to Covid 19 paralysis (my own). My small world initially appeared to be the same with Level 4 lockdown here in New Zealand. I felt like I had been practising for it all my life. Having worked from home for many years it was...
The third child!
Blyton, E. (1950). The Land of Far-beyond. p. 12 (Leaving lockdown!) The contents of my cupboards, wardrobe, drawers, and cabinets have never looked so neat, aligned, contained, and ordered; my control over an uncontrolled time. I sometimes randomly open one up and...
The Dream
'The dream' (written 10th April 2020) A few weeks back I had my first mentoring session with my mentor Iris via Zoom. A fabulous catch up (she told me exactly what I needed to hear, your work is good and It’s unique). It snowed and she showed me some of the academic...
Weaving words
Words can be used to create all sorts of pictures, yet the image I see most vividly, in this moment, when I think of words, is a net. I see the cord or thread and the knotting, simple or intricate patterns, holding ideas loosely in their arms. More than...
Limbo Land
Limbo land. For the first two weeks of lockdown I was in an odd state of mental paralysis. Partly as a result of an anxiety attack about the looming effects of Covid-19 a week before lockdown, and coming to terms with not travelling to Melbourne for my daughters 30th...
Isolation: direction, motivation, imperfection
I had my second catch up via skype with Lisa a few weeks ago. Unfortunately plans to meet in Wellington at the end of March had to be put on hold for obvious COVID-19 related reasons. I was disappointed not to be able to meet in person but we had a great chat and I...
Don’t think jewellery
Notes from communication with Monika Brugger May 7th, 2020 About the Kauri Gum bead neckalce: This she found the most interesting, I agree. She can interpret this one. It describes a cycle with many readings. Something everyone can relate too finding different...
Day 36 in solo lockdown
I have been up and down. A lot of my mood has had to do with the uncertainty, being in limbo, not knowing where I am going, what I will be doing. For a while I was to be able to put it to rest, happily going with the flow and dealing with it as it comes. Right now,...
Net Connections
My first interactions with Manon have been via email, introducing my practice with images and writing as the world closes borders and our bubbles cope as best we can behind closed doors.
We have contact
Photo of the aftermath. Maca Bernal- Monika Brugger. April 15th 2020, 9 am France, 7pm New Zealand. Handshake during Covid pandemic times........... I had my first meeting with Monika and this is what came out of it; Nothing is completely new, sometimes...
LOCKDOWN!!!
LOCKDOWN… What a difference a few weeks make. This is a crazy time…. Just struggling to get any perspective on life at the moment. At least we have art I suppose…. My MFA exhibition was meant to open, basically the day we went into lock down. It is still there in the...
