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HANDSHAKE 4

 

 

WELCOME TO HANDSHAKE 4 

The HS4 two-year (2017-2018) recruitment programme focused on experimentation and exhibiting, demonstrated through a development programme that included coaching, mentoring, and masterclasses.

Dutch artist and educator Ruudt Peters selected twelve NZ jewellery mentees and their mentors from an open call. The programme started with a Masterclass led by Estonian artist Tanel Veenre, who came to New Zealand. He introduced innovative methods of presenting artworks and ideas.

Exhibitions were held at Pah Homestead in Auckland in October 2017, at Toi Poneke in Wellington during the International Festival of The Arts in March 2018, and at Corban Estate Arts Centre during Auckland Art Week in October 2018. Furthermore, an online exhibition was featured on the HS4 HandShake website.

NEWS & BLOG

‘schmuck’ or not

‘schmuck’ or not

‘to push it into wearable - no ..... just let it go without thinking about wearability maybe later on if you have really have a want or idea you can go for 'schmuck' again’ Volkers words on crit with Otto Kunzli 14th April 2018. So with words from Volker and crits...

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Community

Community

There is nothing like the coming together of like-minded people who are supportive, engaged and passionate about the same thing you are. The Contemporary Jewellery community in NZ is just such a community.    

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And another thing….

And another thing….

Blog 21 15th March Last week was busy with the installation of the show at Toi Poneke in Wellington. Gabby O’Connor played a large part in directing the alterations or perhaps interventions made to the gallery.  We each ended up with a large painters dropsheet hung on...

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Juggling act

Juggling act

  What I found myself thinking as I juggled Handshake commitments, participated in Occupation Artist performances, went to work as a nurse and then tried to have time for my partner, friends and family and time to myself was that I could be spreading myself a bit...

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Multi-tasking?

Multi-tasking?

Blog 19 February 15th Pile of MDF dust Is it better to claim to be multi-tasking than to admit out loud that I’ve (again) taken on too much?  I did think that the move to working with the MDF would be a quick and easy project but it has not turned out that way at...

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Transitory matter

Transitory matter

A duality that in reality is affinity Something so fragile we hold afar but is inordinately near Our co-dependency is echoed in shapes as substances dialogue with each other concerning permeation of deleterious waste We are all transitory matter It is only a matter of...

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The Importance of Preservation

The Importance of Preservation

The lessons of preservation, something that I have been forced to focus on these last 6 months, even the last year. One year seems like such an arbitrary number now. One year. One year older. One year living alone in the middle of the bush land of the New Zealand...

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The wrinkle and the gaze

The wrinkle and the gaze

The OED defines the gaze as to look steadily and intently, especially in admiration, surprise, or thought.  In critical theory, the gaze offers comment on the relationship between the observer and the observed. Over time the skin records how we react, our choices,...

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to and fro

to and fro

  Its been a busy summer with not as many uninterrupted days in the workshop as I would have liked..but still somewhat productive with some other exhibitions on the go and great time spent with the family. I have resumed skype and conversations with Judy and now...

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Kaimōhū

Kaimōhū

The forest said Numb hospitality. I don’t want to talk about it. Still listening to everyone else’s problems. I love you like I don’t love myself. I sing for you tomorrow. Sick of being afraid. Tear my page. You wild peaceful being Nothing or no one will ever compare....

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