by Nik Hanton | Jan 26, 2023 | Nik Hanton, Nik Hanton
The series that I developed for HandShake 7 revolved around concepts that has long interested me.That of “lexical semantics,” “the analysis of word meanings and relations between them” (Oxford Dictionary) and the use of typefaces for...
by Nik Hanton | Jan 26, 2023 | Nik Hanton, Nik Hanton
As I look back on the experience, I further appreciate that there is nothing quite like hearing how others approach their work to inspire and make you question your own approach to your own work. Because of the way the masterclasses were structured, you had access to...
by Nik Hanton | Jun 30, 2022 | Handshake7, Nik Hanton, Nik Hanton
I landed on the path that I wanted to take for the Handshake Masterclass (HS7) quite early in the process, thanks to the tasks that Estella set. While I had an initial vision of the direction I wanted to go in, having the fresh eyes of Estella and the team of...
by Nik Hanton | Sep 12, 2020 | Curation Stanley Street, Nik Hanton
Creating the work for the Stanley St Show has been a steep learning curve as I’d never worked with 3D printing much before this year. That was only part of the problem though as the options are endless. Trying to consolidate your ideas, while at the same time wanting...
by Nik Hanton | Jun 29, 2020 | Curation Stanley Street, Nik Hanton
The magic of taking the everyday and transforming it into something beautiful is perhaps no clearer than with the stunning creations of the Dassanech tribe of southern Ethiopia. From bottle tops, to watches, to sim cards, the ingenuity is stunning. They mix their...
by Nik Hanton | Jun 1, 2020 | Curation, Curation Stanley Street, Nik Hanton
Jewellery pieces that had previously been seen as novel and innovative are now dated and iterative. This is the joy of the craft. It *IS* ever-changing. And should be ever-changing. Potentially, drawing on history and making it “now”. There are so many...
by Nik Hanton | Dec 6, 2019 | Handshake5, Nik Hanton, Nik Hanton
There is sand on the floor, Sand in my hair, Under my finger-nails, Sand everywhere. Following the making of my pieces for Te Uru Contemporary Gallery, I’m still cleaning up sand from my studio. I suspect I will be for some time. Made through the erosion of rock...
by Nik Hanton | Nov 27, 2019 | Handshake5, Nik Hanton
In my final work as part of Handshake 5 at Te Uru Contemporary Gallery (Auckland), it feels appropriate that I refer to: belonging and s e p a r a t e n e s s. Handshake has offered me the opportunity to be part of something *much* bigger than myself. I’ve been...
by Nik Hanton | Nov 26, 2019 | Handshake5, Nik Hanton
When looking at creating work for the Te Uru space I researched the meaning of “Uru”. According to https://maoridictionary.co.nz/ the meaning of “Uru” is as follows: “uru 1. (verb) (-a,-hina) to enter, go in. […]...
by Nik Hanton | Sep 21, 2019 | Handshake5, Nik Hanton
I’ve been spending an increasing number of hours with sand and all of the pieces I’ve made for the work for the Te Uru space reflect this. It’s incredible how each beach has a different look and feel in both the landscape and the sand. From sand...
by Nik Hanton | Sep 2, 2019 | Handshake5, Nik Hanton
When making work in response to the Te Uru space I thought about the bringing of the outside, in. I looked at the gallery rooms and saw that from one of the spaces there’s a window from which you have a view of trees and the sea. It was this that informed my...
by Nik Hanton | Aug 6, 2019 | Handshake5, Nik Hanton
I have a fascination for psychological terminology- this has most recently been seen in my enthusiasm in response to the Placebo and Nocebo Effects, which I’ve based two bodies of work on. When I heard of the classification of Stendhal Syndrome I was excited....
