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  Sarah Read

 

  Sarah Read

 

Artist statement

‘The boundary between us and not-us is profoundly permeable’, writes Maria Popova. ‘We become ourselves through communion and conviviality with what is not us.’

Pre-Covid, my work often included elements of social practice. A 2019 statement reads: ‘I want my work to spark connections, force encounters, cause a pause.’

Since then, so much has fallen away. I have spent a disproportionate amount of time alone, in my studio, joining bead to tiny bead. There’s comfort and self-soothing to be found in the obsessive action of the process; the silk through the glass. In. Out. The outstretched arm, again and back.

However, enough is enough. Here we are again in Whakatū Nelson, connecting in real life. Here’s to:

·         conviviality

·         craft

·         generosity

·         curiosity

·         colour and, yes

·         finding our joy

How much larger your life would be if yourself could become smaller in it.
You’d find yourself under a freer sky
In a street full of splendid strangers. —G.K. Chesterton

Portal. 2023. Curtain/Veil/Threshold, Glass beads, thread, 360×460 mm

Bio

Sarah Read is a contemporary jeweller and caregiver who lives and works in Te Whanganui-a-Tara, Wellington. Her work is idea-driven and process-based and often features third-party participation.

Sarah has exhibited widely in Aotearoa and overseas. She is a founding member of The See Here and Occupation: Artist, and a participant in the Handshake jewellery mentoring programme.

Sarah holds a Bachelor of Fine Arts (Hons) from the University of Newcastle upon Tyne and a Bachelor of Applied Arts in Contemporary Jewellery from Whitireia New Zealand. She is currently researching casual social ties and their importance to our well-being.

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