Sarah Read
Sarah Read
![Sarah Read2-s-](https://handshakeproject.com/wp-content/uploads/2023/03/Sarah-Read2-s-.jpg)
Artist statement
‘The boundary between us and not-us is profoundly permeable’, writes Maria Popova. ‘We become ourselves through communion and conviviality with what is not us.’ Pre-Covid, my work often included elements of social practice. A 2019 statement reads: ‘I want my work to spark connections, force encounters, cause a pause.’ Since then, so much has fallen away. I have spent a disproportionate amount of time alone, in my studio, joining bead to tiny bead. There’s comfort and self-soothing to be found in the obsessive action of the process; the silk through the glass. In. Out. The outstretched arm, again and back. However, enough is enough. Here we are again in Whakatū Nelson, connecting in real life. Here’s to: · conviviality · craft · generosity · curiosity · colour and, yes · finding our joy How much larger your life would be if yourself could become smaller in it. |
![20230324_110502 (002)](https://handshakeproject.com/wp-content/uploads/2023/03/20230324_110502-002-scaled.jpg)
Portal. 2023. Curtain/Veil/Threshold, Glass beads, thread, 360×460 mm
![Sarah Read selfie in workshop](https://handshakeproject.com/wp-content/uploads/2023/03/Sarah-Read-selfie-in-workshop-scaled.jpg)
Bio
Sarah Read is a contemporary jeweller and caregiver who lives and works in Te Whanganui-a-Tara, Wellington. Her work is idea-driven and process-based and often features third-party participation.
Sarah has exhibited widely in Aotearoa and overseas. She is a founding member of The See Here and Occupation: Artist, and a participant in the Handshake jewellery mentoring programme.
Sarah holds a Bachelor of Fine Arts (Hons) from the University of Newcastle upon Tyne and a Bachelor of Applied Arts in Contemporary Jewellery from Whitireia New Zealand. She is currently researching casual social ties and their importance to our well-being.