Artist statement
The springboards for my series are usually psychological terms, or a way of thinking and looking at the world. I like every series to be distinct from previous ones and have its own voice with no two series being similar. Every one has a different feel and take on the subject matters.
Bio
After studying Sociology and Psychology Nik Hanton worked for a number of years in a variety of Media industries before following her passion for jewellery. Her background in the social sciences is evident in her work which explores the themes associated with these disciplines. Most recently, she has been working with the placebo and nocebo effect, the concept of duty, isolation, and how we navigate our world.
The trinity of artists – CODA
The works I've been given to respond to are made by a trinity of artists I've long admired. It's a daunting prospect, but an invigorating one. It'd be daunting enough to respond to each artists' work in isolation, but to respond to them in concert with each other is...
Totem – Te Uru
I've been working on the idea of creating a series of modern "totems". This raises the question of cultural appropriation for me. While I won't be using motifs from any culture apart from my own, even the term "totem" sits uncomfortably with me. The issue is that I...
Strangling space
When a collection of works is in response to a gallery space the volume and shape of the space can (potentially) over-ride/rule the works, if we let it. What if we "strangled the space" and bent it to our will rather than being beholden to it? The space becomes no...
“Zig-Zag”
My personality is one that thrives on order. While not a precise person by nature I do like things to be "tidy". There's something about a zig-zag that fits perfectly with my desire for order and my inability to subscribe to strict precision. Terhi Tolvanen has...
Nik Hanton‘s images
Artist statement
The springboards for my series are usually psychological terms, or a way of thinking and looking at the world. I like every series to be distinct from previous ones and have its own voice with no two series being similar. Every one has a different feel and take on the subject matters.
Bio
After studying Sociology and Psychology Nik Hanton worked for a number of years in a variety of Media industries before following her passion for jewellery. Her background in the social sciences is evident in her work which explores the themes associated with these disciplines. Most recently, she has been working with the placebo and nocebo effect, the concept of duty, isolation, and how we navigate our world.
The trinity of artists – CODA
The works I've been given to respond to are made by a trinity of artists I've long admired. It's a daunting prospect, but an invigorating one. It'd be daunting enough to respond to each artists' work in isolation, but to respond to them in concert with each other is...
Totem – Te Uru
I've been working on the idea of creating a series of modern "totems". This raises the question of cultural appropriation for me. While I won't be using motifs from any culture apart from my own, even the term "totem" sits uncomfortably with me. The issue is that I...
Strangling space
When a collection of works is in response to a gallery space the volume and shape of the space can (potentially) over-ride/rule the works, if we let it. What if we "strangled the space" and bent it to our will rather than being beholden to it? The space becomes no...
“Zig-Zag”
My personality is one that thrives on order. While not a precise person by nature I do like things to be "tidy". There's something about a zig-zag that fits perfectly with my desire for order and my inability to subscribe to strict precision. Terhi Tolvanen has...
Nik Hanton‘s images
