Artist statement
The springboards for my series are usually psychological terms, or a way of thinking and looking at the world. I like every series to be distinct from previous ones and have its own voice with no two series being similar. Every one has a different feel and take on the subject matters.
Bio
After studying Sociology and Psychology Nik Hanton worked for a number of years in a variety of Media industries before following her passion for jewellery. Her background in the social sciences is evident in her work which explores the themes associated with these disciplines. Most recently, she has been working with the placebo and nocebo effect, the concept of duty, isolation, and how we navigate our world.
Te Uru
When looking at creating work for the Te Uru space I researched the meaning of "Uru". According to https://maoridictionary.co.nz/ the meaning of "Uru" is as follows: "uru 1. (verb) (-a,-hina) to enter, go in. [...] 2. (verb) (-a,-hina) to enlist, enrol, join, be...
Sand
I've been spending an increasing number of hours with sand and all of the pieces I've made for the work for the Te Uru space reflect this. It's incredible how each beach has a different look and feel in both the landscape and the sand. From sand that's almost white,...
Bringing the outside in
When making work in response to the Te Uru space I thought about the bringing of the outside, in. I looked at the gallery rooms and saw that from one of the spaces there's a window from which you have a view of trees and the sea. It was this that informed my material...
Stendhal Syndrome
I have a fascination for psychological terminology- this has most recently been seen in my enthusiasm in response to the Placebo and Nocebo Effects, which I've based two bodies of work on. When I heard of the classification of Stendhal Syndrome I was excited. Stendhal...
Nik Hanton‘s images
Artist statement
The springboards for my series are usually psychological terms, or a way of thinking and looking at the world. I like every series to be distinct from previous ones and have its own voice with no two series being similar. Every one has a different feel and take on the subject matters.
Bio
After studying Sociology and Psychology Nik Hanton worked for a number of years in a variety of Media industries before following her passion for jewellery. Her background in the social sciences is evident in her work which explores the themes associated with these disciplines. Most recently, she has been working with the placebo and nocebo effect, the concept of duty, isolation, and how we navigate our world.
Te Uru
When looking at creating work for the Te Uru space I researched the meaning of "Uru". According to https://maoridictionary.co.nz/ the meaning of "Uru" is as follows: "uru 1. (verb) (-a,-hina) to enter, go in. [...] 2. (verb) (-a,-hina) to enlist, enrol, join, be...
Sand
I've been spending an increasing number of hours with sand and all of the pieces I've made for the work for the Te Uru space reflect this. It's incredible how each beach has a different look and feel in both the landscape and the sand. From sand that's almost white,...
Bringing the outside in
When making work in response to the Te Uru space I thought about the bringing of the outside, in. I looked at the gallery rooms and saw that from one of the spaces there's a window from which you have a view of trees and the sea. It was this that informed my material...
Stendhal Syndrome
I have a fascination for psychological terminology- this has most recently been seen in my enthusiasm in response to the Placebo and Nocebo Effects, which I've based two bodies of work on. When I heard of the classification of Stendhal Syndrome I was excited. Stendhal...
Nik Hanton‘s images
