Artist statement
The springboards for my series are usually psychological terms, or a way of thinking and looking at the world. I like every series to be distinct from previous ones and have its own voice with no two series being similar. Every one has a different feel and take on the subject matters.
Bio
After studying Sociology and Psychology Nik Hanton worked for a number of years in a variety of Media industries before following her passion for jewellery. Her background in the social sciences is evident in her work which explores the themes associated with these disciplines. Most recently, she has been working with the placebo and nocebo effect, the concept of duty, isolation, and how we navigate our world.
Repurposing
The magic of taking the everyday and transforming it into something beautiful is perhaps no clearer than with the stunning creations of the Dassanech tribe of southern Ethiopia. From bottle tops, to watches, to sim cards, the ingenuity is stunning. They mix their...
The nature of what is jewellery is forever changing
Jewellery pieces that had previously been seen as novel and innovative are now dated and iterative. This is the joy of the craft. It *IS* ever-changing. And should be ever-changing. Potentially, drawing on history and making it "now". There are so many jewellery...
Ancient materials
There is sand on the floor, Sand in my hair, Under my finger-nails, Sand everywhere. Following the making of my pieces for Te Uru Contemporary Gallery, I'm still cleaning up sand from my studio. I suspect I will be for some time. Made through the erosion of rock...
BELONGING&S E P A R A T E N E S S…
In my final work as part of Handshake 5 at Te Uru Contemporary Gallery (Auckland), it feels appropriate that I refer to: belonging and s e p a r a t e n e s s. Handshake has offered me the opportunity to be part of something *much* bigger than myself. I've been...
Nik Hanton‘s images
Artist statement
The springboards for my series are usually psychological terms, or a way of thinking and looking at the world. I like every series to be distinct from previous ones and have its own voice with no two series being similar. Every one has a different feel and take on the subject matters.
Bio
After studying Sociology and Psychology Nik Hanton worked for a number of years in a variety of Media industries before following her passion for jewellery. Her background in the social sciences is evident in her work which explores the themes associated with these disciplines. Most recently, she has been working with the placebo and nocebo effect, the concept of duty, isolation, and how we navigate our world.
Repurposing
The magic of taking the everyday and transforming it into something beautiful is perhaps no clearer than with the stunning creations of the Dassanech tribe of southern Ethiopia. From bottle tops, to watches, to sim cards, the ingenuity is stunning. They mix their...
The nature of what is jewellery is forever changing
Jewellery pieces that had previously been seen as novel and innovative are now dated and iterative. This is the joy of the craft. It *IS* ever-changing. And should be ever-changing. Potentially, drawing on history and making it "now". There are so many jewellery...
Ancient materials
There is sand on the floor, Sand in my hair, Under my finger-nails, Sand everywhere. Following the making of my pieces for Te Uru Contemporary Gallery, I'm still cleaning up sand from my studio. I suspect I will be for some time. Made through the erosion of rock...
BELONGING&S E P A R A T E N E S S…
In my final work as part of Handshake 5 at Te Uru Contemporary Gallery (Auckland), it feels appropriate that I refer to: belonging and s e p a r a t e n e s s. Handshake has offered me the opportunity to be part of something *much* bigger than myself. I've been...
Nik Hanton‘s images