Participants (see their HS progress)
- Antonia Boyle
- Aphra Cheesman
- Nina van Duijnhoven
- Jack Hadley
- Fran Leitch
- Nikki Perry
- Amelia Rothwell
- Mia Straka
- Simon Swale
- Susan Videler
- Michelle Wilkinson
- Macarena Bernal
HS6 collaboration video work
WELCOME TO HANDSHAKE 6 (HS6), 2020 – 2021/22
The HS6 two-year programme offered emerging jewellery artists a unique opportunity to develop skills through masterclasses, mentoring, and work development involving experimentation and exhibiting. Iris Eichenberg (US) selected twelve talented artists and paired them with recommended mentors who provided regular feedback and support throughout the two-year program. In 2019, Iris Eichenberg came to Auckland and conducted a masterclass with HS6 artists, igniting various conceptual and design approaches and opportunities. Her public lecture at Objectspace in Auckland drew a full house of enthusiasts.
Despite the challenges posed by COVID-19, each HS6 artist was able to continue their research, experimentation, and development online with the assistance of their assigned mentors. The first exhibition opportunity was pre-Covid and curated by Weasel Gallery in Hamilton (now rebranded as Laree Payne Gallery). During Covid, the HS6 artists showcased their work at various exhibitions, including “Signing-In” at Te Auaha, Wellington, and a large, curated exhibition called “CHAINreaction” at the Refinery as part of the first Nelson Jewellery Week.
Throughout the programme, the artists benefited from a series of lectures and workshops on professional ethics, fundraising, communication, and design. They also received valuable training on presenting and promoting their work online through the ON-E masterclass workshop led by Estella Saez (ES).
Despite the obstacles presented by COVID-19, the HS6 artists remained resilient, supporting each other and working together as a team. Their successful funding campaign and the production of a video and catalogue for the final exhibition MORPH at NorthArt in Auckland showcased their extraordinary qualities and demonstrated the power of effective teamwork. Overall, the HS6 program provided a valuable opportunity for emerging artists to develop their skill set and showcase their refined work to a wider audience.
Iris Eichenberg’s masterclass in 2020
HS6 focused primarily on the individual development of each mentee’s art practice, with feedback and assistance from their selected mentor. Their exploration package included research, experimentation, various design processes, and material explorations. The year kicked off with a JEWELcamp, covering expectations, obligations, and professional ethics.
Renowned artist and educator Renee Bevan conducted her influential PUSH-PULL workshop, providing a series of methods for exploring and expanding ideas and designs.
Following the JEWELcamp, a masterclass from Iris Eichenberg equipped HS6 artists with various toolsets of new approaches and opportunities.
HS6 artists at their MORPH opening, Northart, Auckland, August 2022
- (top row:) Maca Bernal, Simon Swale, Susan Videler, Antonia Boyle, Nikki Perry, Jack Hadley, Michelle Wilkinson
- (bottom row:) Fran Leitch, Mia Straka, Nina van Duijnhoven, Aphra Cheesman, Amelia Rothwell
HS6 NEWS & BLOGs:
Some recent things…
We are now well into our second year of Handshake6 and recently it has been go go go. We have started our online masterclass with Estela Saez which has been fantastic so far (more on this soon!), I had a great chat with Lisa which provided lots of things to think...
In Memory
Early last year I had determined that knots were my area of interest and prophetically it became a year of anxiety and knots of various kinds. My thinking moved on, partly I suspect because of the materials I was using and this year I have been exploring memory. My...
She hates online exhibitions.
Notes from Estela Saez’s Online Exhibition masterclass. 27 may 2021
new beginnings, new challenges…
Thanks to Estela Saez for pushing us into some new and unexpected directions...
CHAINreaction
Party and Festive, ChainReaction
When the brief for ChainReaction came trough, I was conflicted because most of my practice is dedicated to making Links. I decided to re-interpret my LINKS by blowing them up, so I went on trade me and under the category Party and Festive I found a large inflatable...
The making of Many Manos: ChainReaction
Many hands make light work | Know like the back of your hand | Put your hands together ?Cold hands warm heart | Show of hands | Dab hand | First Hand | Hand in hand | Hands on | Heavy handed | Old hand | Out of hand | Under hand | Change hands | Hand over | Hands full...
What’s under the bed?
For the application for the HS6 I made quite a few works which have since been placed back under the bed to live...to live with the monsters! I thought I'd pull them out and revisit a few over the next few weeks... The chain reaction link I made (see previous post)...
Nelson chain process…
“Even as I sleep I will punish myself” (2021) Artist’s own hair, dog hair, woollen blanket, cotton. 1m 60cm (drop) x 2m 25cm (length) The hair shirt is well known for its role in penance at Lent. Not being religious I still wanted to play with the idea of irritation...
The importance of feeling held
It feels like everything is so vulnerable right now. I guess it was always this way, but somehow world events (arguably as a result of our misuse of nature) have led me to appreciate and value the individual so much more.
The story of my chain for CHAINreaction
My piece for the Nelson Jewellery week handshake show, CHAINreaction (at the refinery in Nelson) was a rather personal piece for me. I did not set out to make such a personal piece but once it was finished it felt cathartic, as if I had needed to make something about...
Daemons and Geniuses
For the Nelson CHAINReaction show I played around with several ideas but I wasn’t happy … they were just not right, they were lacking…. Lacking what I didn’t know, I couldn’t put my finger on it... they were just a bit meh… a bit average, contrived… I didn’t feel good...
Connecting through CHAINreaction
Nelson Jewellery Week looked fantastic from a far! If only the trans-Tasman bubble had opened just a few weeks earlier. The CHAINreaction exhibition, in particular, was wonderful to be involved in - at least my work made it over when I couldn't! CHAINreaction...
…
Do you ever walk across this Earth, hearing the sound of your steps upon the ground, and wonder- am I really here? Do you sometimes hold your hand up to your face and ask- is this really me?
Nelson Jewellery Week and other assorted goodies
Scrambling to finish the ‘connection’ to my neighbour for CHAINreaction, Handshakes at the Refinery show in Nelson. I had used a ‘found’ piece of copper and stripped it down to make a rather tiny link and Attai asked me • why round? • how do you move from one material...
