Dissection/CODA

I am searching for a truth to my materials. How do the materials make me do what I do to them; how does process dictate form? Currently, I have been making notes as I work with the intention of understanding what makes me do to a material, what I do. Dissection is an integral part… Continue reading Dissection/CODA

Backtrack/Te Uru

Image: Sarah Walker-Holt

My understanding of the term ‘Actants’ comes mostly from Bruno Latour’s, Technology is Society Made Durable,  where his initial engagement with the reader describes a  scenario of  European hotels displaying notices to remind patrons to return their room keys on leaving and the unsuccessfulness of the signs working.  To rectify this they attached ‘large cumbersome… Continue reading Backtrack/Te Uru

Thinking through Making/CODA

The artists I have been paired with, Lucy Sarneel, Reka Fekete, and Attai Chen, all resonate with the idea of Thinking through Making. Similarly, I allow my own work to manifest itself as it develops. I see the theme Rough and Raw as a metaphor for Thinking through Making; a primary part of the making… Continue reading Thinking through Making/CODA

introducing handshake 5

[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.19.7″ background_color=”#f4f4f4″ link_option_url=”https://www.handshakeproject.com/handshake-5/”] The newly-formed HANDSHAKE 5 group came together for JEWELcamp at Te Auaha (Wellington) with the briefing of the two unique exhibition projects that occurs later this year. Roseanne Bartley workshopped in her masterclass creative ways of approaching the making practice. Her feedback continues within the first quarter of 2019. Different coaches… Continue reading introducing handshake 5