OBJECT & EGO: Part 1

The following is an unpublished journal excerpt from 2015 when I was studying for my Graduate Diploma through Whitireia NZ 

Object & Ego

I find it an ill fit when telling someone my occupation my response “I’m studying contemporary jewellery” Then asked “Oh, what kind of jewellery do you like to make?”… I hesitate for a moment, mumble or sigh and try to provide a response that will suffice for the time being. “Oh, at the moment rings, I say and also pendants etc.”

I feel like I’ve just done myself an injustice reducing my art to conform to the commonplace understanding of jewellery as plain and simple decoration. Sometimes I might present it as “art jewellery” as the term ‘contemporary’ seems to confront and perhaps intimidate some people. I don’t want to put off people either, yet at the same time, I (or more precisely my ego) feels threatened by the idea of being misunderstood. It’s a funny little dual dynamic: The audience are afraid they won’t understand and the artist fears they and/or their work won’t be understood… Got to laugh about it really… why are we so scared to just experience and respond to our experiences?

What do I really feel about it then? What kind of jewellery do I make?

More simply and truer, I could reply “I make objects for the body in relation to the personal and emotive responses to daily life”!??

It reads better as an artist statement though really? I can’t imagine saying this to someone without feeling (and them thinking) that I was completely conceited…but it’s a start in addressing the core response to why I make and what I am making about.

Nonetheless, the battle of finding a ‘fit’ with the ego and intention of myself as an artist/maker to present it in a way that’s easily digestible enough to be understood and interpreted by the public and people I meet is an ongoing challenge. Perhaps too as I continue down the track in my practice these labels will become less important to myself and my ego as I gain confidence, understanding and belief in what I’m doing.

What I do know is that (despite the ups & downs) contemporary jewellery has become my chosen means of creative expression that gives me a sense of purpose. It’s a medium that is allowing me to explore the world and understanding of myself within it.

By Fran Carter

Fran Carter is a Wellington based maker and 2016 graduate of Whitireia NZ Contemporary Jewellery programme, where she gained her BA and Graduate Diploma in Applied Visual Arts. She was the recipient of a scholarship from the NZ Federation of Graduate Women, and was awarded the 2015 Whitireia-Toi Pōneke Artist residency where she completed her postgraduate studies and subsequent major solo show, MOOP (Matter Out Of Place). Fran continues to exhibit her work around NZ and internationally, including the selection to Wunderrūma, an iconic touring exhibition curated by Karl Fritsch & Warwick Freeman in 2014. Her work is held in private collections, and she is represented by The Jewel & The Jeweller in New Plymouth, Vu Jewellers in Queenstown, and Mason & Collins in Wellington.