of the matrilineal line;

This stone talisman was made in part of a deepening inquiry into matriarchal energy and matrilineal lines, embodiment and intuition. I explore this stone and others in varying ways, allowing instinct to guide me. I cleansed and blessed it in a stream on the land I currently live on, which I share with my cousin,… Continue reading of the matrilineal line;

Form follows material

In my previous post, ‘Pōhutukawa Play’, I was exploring surface treatments and finishes that I could achieve with the timber. The second part of the exercise given by my mentor, Neke Moa, was to go deeper into the material. Beyond the surface. It was time to explore what forms could speak to what I had… Continue reading Form follows material

HAUNTING

Screenshot

Our last workshop series with Estela has been spent learning to present our work electronically. We spent many weeks responding to her outrageously genius prompts. The results for me have been both painstaking, and pleasantly surprising at times. The prompt for this video was to make an instrument from tin foil and film it making… Continue reading HAUNTING

May I Introduce…..

Screenshot from front page of Katrin's website

….My personal mentor for this year, Katrin Spranger. I couldn’t believe my luck when Katrin said yes to mentoring me for the 2nd year of Handshake 8. She was my first choice and is such an impressive artist and entrepreneur. I clearly remember the day I stumbled upon Katrin. I’d just finished an (almost) all-nighter… Continue reading May I Introduce…..

Finding Fire

Finding Fire As it goes sometimes, I’ve been finding it challenging to connect to my creative pathway this year. It has been like trying to find the signposts at the start of the walking track, only to realize there are none, and what awaits me is a sickle and the realization that the only way… Continue reading Finding Fire

Justene Williams

Justene Williams, If I’m going to hell you’re coming with me, 2023, mannequin, sunglasses, sneakers, perspex, dimensions variable, Knulp. Photo: courtesy of Knulp and Alex Gawronski

Justene Williams, is an contemporary Australian artist who makes her large-scale immersive works, using multi-channel video installations, photography and performance. Through challenging social norms, using of found objects and waste materials, collage and photomontage she work draws on Dadaist principles of to create sensory and layered experiences.

Ana Mendieta

Untitled (Blood and Feathers), 1974

Ana Mendieta was born in Cuba in 1948. Her father, Ignacio Mendieta, was a lawyer who had worked with the FBI during World War II.  In 1960 he became involved in an uprising against Fidel Castro and was concerned for the safety of his family.  At 12, Ana Mendieta and her older sister were sent… Continue reading Ana Mendieta

Pōhutukawa play

At the last catch up that I had with my mentor, Neke Moa, she gave me an exercise to help expand my material knowledge. For this exercise I focused on pōhutukawa timber. I had briefly introduced myself to the material with my previous hand carved timber form studies. For this part of the exercise I… Continue reading Pōhutukawa play

Judy Chicago

When Judy Chicago was a student at UCLA in the late 1950s, she took a class called “Intellectual History or Europe,” where her male professor declared that women had made zero contributions to European history.  Aware of how little Chicago to start what would become a lifelong passion to find the incredible women of history… Continue reading Judy Chicago